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What is the impact of English on your town or city?

ESL EFL English in your town or cityNina Leeke, co-author of International Express, provides ideas for a lively lesson or homework activity around this topic. It’s also the subject of the International Express Digital Poster Competition, which challenges adult students to produce a digital poster around this theme.

Like the majority of teachers, I like to personalise lessons and make them as relevant to my students as possible. Students usually find it easier to talk about things within their own experience and are more motivated to do so, and the language learnt as a consequence is likely to be more useful for them.  As I generally teach in-company classes, we spend a lot of time talking about the students’ jobs and everyday work. But it’s also interesting to broaden the scope and look beyond the workplace.  The local town or city is a topic which everyone has an opinion on, as we experience our environment day by day. The International Express Digital Poster Competition neatly brings these subjects together.  It challenges adult learners to produce a digital poster illustrating the impact of English on their local town or city, and they must include something about the local work environment and social life.  The topic provides plenty of engaging content for a lesson or two! Here are some ideas to get you started:

  • Take in some prompts to initiate the discussion. For example, you could choose English-language tourist leaflets, menus, photos of billboards or signs, workplace material such as company documents, newsletters, and emails, videos or recordings of spoken English such as public transport announcements, workplace conversations, or conversations with tourists.
  • Alternatively, you could set the question as a homework assignment. Ask learners to keep their eyes and ears open for evidence of the impact of English on their locale and report back in an upcoming lesson.
  • If English is a strong workplace requirement where you are, you could start by asking learners about changes in the job market and workplace over the years. What skills are necessary for their jobs? How is English used in their workplace? A good starting point is to take in local job adverts or have learners research job ads online.
  • Interviews and surveys always provide a lot of language practice – especially those question forms which students so often struggle with. Learners can create surveys or interview questions on the topic and then interview each other, their colleagues, or people on the street. Your students could then present their findings in graph form – which would provide content for the digital poster if you decide to produce one.
  • Have a debate! Start by brainstorming the pros and cons of the local impact of English. Then divide the group into two teams, for and against the motion English has had a positive impact on … (name of your town/city). This fun activity should facilitate useful language practice of agreeing, disagreeing and the language of cause and effect.

Once your students have come up with enough ideas on this theme, it’s time to get them started on producing their digital poster.  For many learners, this activity will represent a break from the usual routine, which is usually motivating in itself.  The learners I tried it out with – one of my in-company classes – were excited by the change! Plus participants can enjoy the visual appeal and the hands-on nature of the task. Digital posters also represent a good opportunity for task-based learning and collaboration. The results can be displayed either online or physically, and learners can present their poster to their peers.

If you and your students are new to the medium, the following tips may be useful:

  1. Provide your class with some examples first, either by finding them online or creating something yourself. Alternatively, you can have learners look for digital posters for homework and share their favourites in the next class. To avoid too wide a search, you can specify a site for learners to look at.  For example, choose a topic on the glogster education samples page.  Much of the material on this site has been produced by school-age students, but you will find content relevant to adults too.
  2. The examples should give learners ideas on the possibilities for content, for example, photos, text, and illustrations. If they haven’t come up already, you may also like to suggest the use of word clouds, mind maps and infographics. Free resources to try include wordle.net, www.mindmaple.com and www.easel.ly.
  3. Ask learners to select which posters they like best and why. Analyse the elements of a good digital poster, for example, interesting content and simple rules for presentation (such as not too much clutter, and text that is easy to read with appropriate fonts and colours).
  4. Simple software to use includes PowerPoint, Word, Photoshop and Google Drive (go to create/drawing). Glogster has more opportunities for multimedia content and is designed for educational use. There is a limited free version (which includes advertising) as well as various subscription options.
  5. You may wish to create some content guidelines or a template in order to focus the learners and prevent them from feeling overwhelmed by the possibilities.  If you use Glogster, there are various templates to choose from. If you are using other software, you could impose boundaries by specifying the number of different items on the page, or the mix of text/pictures/graphics. Conversely, you may well wish to give your learners the freedom to do whatever they like, if they are not the kind to be spoilt by choice!
  6. Allow enough time for learners to ‘play’ with the technology! If you are like me, they will be more adept at using it than you are! However, they will still need time to experiment.
  7. Having said the above, ensure that learners get their content ideas down on paper first! Otherwise they may spend most of their time trying out presentation options rather than thinking about their message and content.

So, if you are looking for ways to link your classroom to the wider world, the International Express Digital Poster Competition provides the perfect opportunity.  Digital posters present a good opportunity for task-based learning and collaboration – and they are fun to produce!  I hope some of these ideas inspire you, and good luck with your competition entries!

We’re awarding an iPad and an OUP business writing folder to the winning teacher.  Each member of the winning class (up to twenty five students) will receive an OUP laptop sleeve and the Oxford Advanced Learner’s Dictionary Ninth Edition.  Visit the competition website to find out how to enter.


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Feedback on academic writing – Part Three

proofreading for English language students in EAPThis is the final article of a three-part series on giving EAP students effective feedback. Julie Moore, an ELT writer and researcher, shares some proofreading tips to help students to reduce careless errors and spelling mistakes.

How often do you remind your students to check their work carefully before they hand it in, then despair of all the careless errors and spelling mistakes that still pepper their writing, especially in a world with spellcheckers? But is proofreading your own writing really that easy?

The importance of accuracy

Accuracy in academic writing is particularly valued. In an academic context, an argument or a piece of research that contains errors and inaccuracies will not be seen as credible. Similarly, it can be difficult for subject tutors reading a piece of student writing to judge whether inaccuracies from a non-native speaker student are a product of flawed thinking or simply a result of language weaknesses. A long text full of minor language errors puts pressure on the reader, as they have to keep reprocessing sentences to extract the correct meaning. In this case, it’s easy to lose the thread of the argument or for the writer’s message to get lost, thus detracting from the academic content.

Teaching proofreading techniques

There’s no simple solution to eliminating those frustrating surface errors, but you can help students by explicitly teaching a few techniques they can use to proofread their writing.

A first step is to raise students’ awareness of their own specific weak points. It’s easy to assume that students know where they make the most mistakes, but often their attention is elsewhere. With every class I teach, I have a session where I ask them to bring in as many pieces of writing they’ve had feedback on (from me or other teachers) as possible. I then get them to go through and systematically count up and classify their error types (with articles, prepositions, noun-verb agreement, etc.) They pick out their top 3 or 4 error types and we work on ways that they can systematically search for and identify those errors in their writing.

This short activity from Oxford EAP Advanced is really useful for highlighting and discussing practical proofreading techniques:

feedback_academic_part3

 

It amazes me every time how many of them don’t have their computer spell-check set to English!

Dictionary skills

With a background in lexicography, I’m a big fan of teaching dictionary skills and encouraging students to use a dictionary and thesaurus both when they’re writing and when they’re checking their work. In class, I jump at any opportunity to turn to the dictionary to demonstrate to students how they can use it to check not just meaning, but collocations, dependent prepositions, following clause structures, etc. I’m particularly looking forward to using the new Oxford Learner’s Dictionary of Academic English with my classes which focuses specifically on the academic uses of words.

I also try to find time to introduce students to using a thesaurus. Often when they try reading something they’ve written aloud (a useful technique for checking that a text flows), they notice they’ve repeated a particular word or phrase too often. I point students in the direction of the Oxford Learner’s Thesauruswhich explains the similarities and subtle differences between sets of synonyms, helping them to choose an appropriate alternative to avoid those awkward repetitions.

Armed with a few simple tools and techniques, I hope that by the end of their EAP course, my students are better equipped to improve their academic writing style and to tidy up their own final drafts. Many of them are incredibly bright cookies in their own disciplines and I’d hate for them to let themselves down with a few awkward collocations or misplaced prepositions!

This article first appeared in the March 2014 edition of the Teaching Adults Newsletter – a round-up of news, interviews and resources specifically for teachers of adults. If you teach adults, subscribe to the Teaching Adults Newsletter now.


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Feedback on academic writing – Part Two

Teacher helping adult studentThis is the second article of a three-part series on giving EAP students effective feedback. Julie Moore, an ELT writer and researcher, shares her thoughts on how teachers can encourage students to act on feedback.

In my last article, I wrote about how overwhelming it can be for new student writers to get back a piece of writing covered in feedback. They can often feel like getting their writing up to scratch is going to be such an uphill battle that they just give up and ignore the feedback altogether. I suggested that by giving less feedback and breaking it down into more manageable chunks, students can focus on a specific area at a time and make realistic progress. With my own EAP students last summer, I started off by focusing on the content of their writing, ignoring language errors and giving feedback on whether they’d answered the question, whether they’d provided sufficient support for their arguments, or whether their overall message was clear.

Copy-editing

Once we’d established what they were expected to write, I turned next to the how. Many students new to EAP arrive with what I describe as a high-school style of essay-writing. That is, their language is rather simplistic: it is not sophisticated enough to communicate the more subtle details and perspectives involved especially at higher levels of academic study. The purpose of teaching students to write in a more academic style is not to make them sound more ‘fancy’ or ‘impressive’, but to give them the tools to do justice to their subject knowledge and ideas. Explaining the why of features of academic style is as important as demonstrating the how.

Group feedback

As you read through writing that a class has handed in, you’ll often find that a particular task has thrown up the same issue for a lot of students, in which case, group feedback is the most efficient way to address it. One rule I always try to stick to is to work on the feedback activity before I hand back students’ individual writing. That way you’re more likely to have their attention, they’re not so caught up in their individual feedback and more concerned about some other feature you’ve mentioned on their paper.

One problem for my students centred around the use of impersonal language in academic writing. In early writing tasks, many of them were still using a lot of personal pronouns to refer to people in general (we, you):

If we restrict access to media like internet for young people, it is possible that they will find another way to gain related information.

So I started off with this example from a student essay on the board (anonymously) and asked who the ‘we’ referred to. Of course, the class came back with various different answers – society, the government, parents, ISPs – so identifying the problem for themselves (i.e. vagueness). Next, we looked back at the text we’d read as input for the writing task (from an academic textbook) and picked out the subject of each sentence. We found that these were invariably noun phrases (often plural nouns to refer to specific groups), thus identifying how expert academic writers deal with this situation. Then in small groups, students looked at some more similar examples from their own writing, identified the problem in each case and suggested rewrites.

Responding to feedback

As well as staging group activities to highlight problems and features, I also tried to get students to engage more actively with individual feedback. So I’d focus on two or three key errors in a piece of writing and frame my feedback in the form of a question to be answered. I then asked students to email me their rewrites of just the highlighted sentences. For example, this was an exchange with a business studies student just after we’d been talking about hedging and the appropriate use of confident and tentative language:

Student’s first draft: This paper demonstrates how the main management methods…

My feedback comment: Is demonstrate the best verb here – a little too confident?

Student redraft: This paper attempts to argue that the main management methods…

My feedback: Great! This is really good and sounds just right for a student writer.

By making feedback a collaborative process between student writer and you as editor – rather than a passive one – you can help students to better understand why we use certain linguistic features in academic writing and hopefully, help them to find their own voice as a novice academic writer.

In my next article, I’ll talk about teaching proofreading techniques to help students polish up their final draft.

This article first appeared in the February 2014 edition of the Teaching Adults Newsletter – a round-up of news, interviews and resources specifically for teachers of adults. If you teach adults, subscribe to the Teaching Adults Newsletter now.


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Feedback on academic writing – Part One

EAP feedback to EFL students

Image courtesy of Giulia Forsythe

This is the first article of a three-part series on giving EAP students effective feedback. Julie Moore, an ELT writer and researcher, shares her thoughts on how to give your students constructive feedback on their writing.

Although I’ve been working in ELT publishing for some 15 years, co-authoring Oxford EAP Advanced was the first time I’ve been involved in writing a whole coursebook. It was a very steep learning curve in all kinds of ways, but perhaps one of the most challenging parts of the whole experience was the process of having my writing edited. I’d spend long hours at my desk writing a unit, then I’d email my completed draft off to my editor and wait with trepidation for her feedback. When I opened up her reply, my heart would often sink at the sight of those tightly-packed comments squeezed down the margin of every page and the prospect of ploughing my way through them!

So when I finally got away from my desk and back into the classroom again last summer to teach on a pre-sessional EAP course, I approached giving feedback on my students’ own writing with a fresh perspective. But what lessons had I learnt?

Less is more

In an EAP context, writing is a key skill and as teachers, we have a tendency to want to give as much feedback on written work as possible. Our intentions are good – we want to help our students improve – but the effect can sometimes be the opposite. Students are so overwhelmed by all the feedback that they either get demotivated and lose confidence, or they skim through to find the grade or the final comment and then file away all our careful feedback, largely unread.

Having experienced how daunting masses of feedback can be for a writer, I was determined to make the process less scary and more productive for my students. I turned to publishing again for a way of breaking it down into more manageable steps:

  • content editing – focus on what is written, rather than how
  • copyediting – focus on style, voice, flow, etc.
  • proofreading – tidying up surface errors

In this article, I’m going to talk about the first stage of the editing/feedback process:

Focus on content

For many students new to EAP, their experience of writing in English has been mostly of short, functional letters and emails, and if they have written essays, they’ll have been of the rather simple, formulaic kind which are designed essentially to practise or test the student’s language abilities. In an ELT context, the focus is often not really on what you write so much as the language you manage to display. A student can produce a fairly inane piece of writing, saying really very little of any substance, but if they show a range of vocabulary, reasonably accurate grammar and throw in a few nice discourse markers, they can get a good mark. This simply won’t cut it in an academic context where: “After all, we teach college students to write not because we expect them to become writers, but because writing is the evidence that they are mastering intellectual concepts.” (McBride, 2012).

So in the first few writing activities I did with my EAP students, I focused very much on content: on what they were expected to write. In my feedback, I ignored the surface language issues and commented only on how well they’d tackled the task. Had they answered the question? Had they put forward a clear argument and supporting evidence? Had they offered analysis and evaluation as well as simple description?

As we worked on some of these key principles of academic writing, I encouraged students to evaluate the content of their own writing, establishing routines and checklists they could use to edit their writing in the future. For example, the following criteria to check a main body paragraph of an essay:

  1. Have you stated the main argument clearly?
  2. Do supporting points flow logically?
  3. Are key concepts/terms clearly defined and/or explained?
  4. Does the evidence support the main argument?
  5. Have you included comment and/or evaluation to make your own stance clear?
    (Adapted from Oxford EAP Advanced)

The initial reaction from some students was uneasy – surely it was my job to correct all their language errors, wasn’t it? It was important that I explained clearly what I was doing and why. I kept copies of students’ writing to use examples (anonymously) as part of other activities on specific language points. I also reassured them that I’d be giving feedback at a more micro-level on their individual writing as the course went on.

And did the approach work? Overall, I think it did. By concentrating first on what they were expected to write, it laid a solid base on which to build the details of how to write as the course went on.

In my next article, I’ll talk about copy-editing and feedback techniques for helping students achieve that all-important academic style.

References

de Chazal & Moore (2013) Oxford EAP Advanced/C1 (OUP)
McBride (2012) ‘Patchwriting’ is more common than plagiarism, just as dishonest http://www.poynter.org/latest-news/everyday-ethics/188789/patchwriting-is-more- common-than-plagiarism-just-as-dishonest/

 

This article first appeared in the January 2014 edition of the Teaching Adults Newsletter – a round-up of news, interviews and resources specifically for teachers of adults. If you teach adults, subscribe to the Teaching Adults Newsletter now.


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Discover the NEW International Express Tests and Teacher’s Guides

Students Sitting at Desks and WritingBruce Wade, Managing Editor of International Express, introduces his upcoming webinar on 11th September about the new International Express Tests and Teacher’s Guides.

The new International Express launched earlier this year, and now, plenty of extra resources to support the course are available for free on Oxford Teachers’ Club.  In this webinar, I’ll be exploring how the new Teacher’s Guides can help you quickly plan your lessons, and I’ll show you around the new tests and Student Progress Report, which help you to regularly and quickly check your students’ performance.

Plan your lessons in a flash

International Express comes with extensive extra resources including photocopiable activities, videos for every unit, and worksheets to support each video – so you won’t be short of material, but how do you make the best use of it all?  We’ve developed Teacher’s Guides for every level, which give a clear, one-page overview of the course, meaning that you can see all the syllabus items, target language and skills, and resources in one go. I’ll be exploring how you can use these to plan your lessons quickly and easily.

Regularly check students’ progress

Tests are an important part of every course, and International Express tests provide comprehensive coverage of all the language in the Student’s Book.  Most test items are written as A‒B exchanges to reflect the communicative nature of the course.   There is a separate test for each section so teachers can test their students after completing a section, or a unit.  I’ll explain the different ways you can use these with your class, and we’ll look at how you can analyse the results to make direct comparisons of your students’ performance across sections, and whole units.

Analyse students’ performance

We developed the unique Student Progress Report to help you measure students’ performance unit-by-unit, and across different skills.  I’ll explain how you can use this tool to see how a student is performing across the four sections of a unit, and we’ll look at how you can customise it, for example, by drawing different types of graphs, or by adding comments on your students’ performance.

I look forward to helping you making the most of all of these resources on 11th September.  In the meantime, you can take a look at them on Oxford Teachers’ Club – you just need to sign in with your usual log in details.

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