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Assessment in the multi-level classroom

Frustrated student at work in classroomIt can be tricky to test classes of students who come from very different learning backgrounds. Stacey Hughes, teacher trainer in the Professional Development team at Oxford University Press, offers some advice.

Testing and assessment are important in any classroom. In addition to the obvious goal of finding out if students have learned what is required for the end of term or year, assessment also gives teachers information about what students might need more work on. It can also motivate students to study, giving them a sense of achievement as they learn (Ur:1996).

A multilevel class poses additional challenges to the teacher. It could be argued that all classes to a certain extent are multi-level. However, for the purpose of this article, multi-level will be defined as those classrooms with students who come from very different learning backgrounds, or those in which students have very different levels of proficiency. Assessment in these situations needs to be fair for all students and needs to provide enough challenge or support so as not to bore or overstretch students. Here are some ideas for assessment:

1. Set individualised targets

You could consider setting individualised targets (or get your students to set their own). In order to assess students on their achievement of their target, you may need different assessment criteria and this difference needs to be made clear at the outset. As long as the assessment is not part of a final grade (and instead part of ongoing assessment for the purposes outlined above), students will be unlikely to opt for an easier option than they are capable of. Here are some examples:

a) Choose the 5 key words you think are absolutely necessary for all students to learn, several more that would be good for them to learn and a final few that would be great if they could learn. Assign the words to each student (or get them to choose their own level of challenge). Assess students on the words you have assigned or that they have chosen.
b) Set different word limits for paragraphs and essays. At the lowest level, ask students to write a 50-word paragraph. The next level might be a 100-word paragraph while the highest level might be two 100-word paragraphs. A similar design can be made for speaking tasks.
c) Set different criteria for writing or speaking. If a student’s work is hard to read because of spelling, set the target of improving spelling and assess only on that. Another student might not have problems spelling, but may have poor subject/verb agreement, so instead, make this the focus of the assessment.

2. Break your targets into manageable chunks

Create a master list of targets for yourself, and assign 2-3 targets at a time for students.
This has the effect of making learning manageable. Some students may already be quite good at word stress, for example, while others, possibly from L1 interference, might need to work a lot on their pronunciation.

Your master list should be comprehensive and cover all language areas. For pronunciation, it might include:

a) Correct word stress on vocabulary words
b) Clear distinction between /s/, /z/ and /Id/ in past tense
c) Rising intonation on yes/no questions

For speaking, it might look like this:

a. Can ask and respond to questions about likes and dislikes
b. Can speak about likes and dislikes for 1 minute
c. Can give reasons or examples for likes and dislikes

3. Differentiate between assessment questions and let students choose their level of challenge

Again, this will work best if the assessment is not marked or graded.

a) For a reading or listening assessment, provide many different questions, and ask students to answer more for higher levels of challenge. For example, the Level 1 challenge could be to answer questions 1-3, Level 2 could be questions 1-5 and Level 3 could be questions 1-7. If you set this kind of task, make sure each question increases in difficulty.
b) Allow for levelling in answers. Level 1 challenge answers could be 1-2 words or yes/no questions, while level 3 challenge answers could be whole sentences or open-ended questions.
c) Provide optional hints for those who need it. Students could choose to do the assessment with or without hints, for example. This works well in conjunction with digital or online assessments.

4. Provide a place for students to go next

At the end of the term or school year, it is customary to test whether or not students have reached the learning goals for the course. For those students who aren’t yet ready to progress, make sure they have a class to go into that isn’t just a repeat of the level they have just done. Some courses provide a middle level between levels that caters for those weaker students, for example, English File 3rd edition Intermediate Plus. In this way, weaker students don’t feel penalised, but feel a sense of achievement in having completed a level.

Assessing students in a multi-level class differently according to their level can benefit all students by providing the right amount of challenge. This can be encouraging and create a positive atmosphere of achievement in the classroom. I hope you enjoy trying out some of these ideas.

References & Further Reading

English club. (n.d.). Teaching multilevel classes. Found at: https://www.englishclub.com/teaching-tips/teaching-multi-level-classes.htm.
Accessed 30/04/14.

Ur, P. (1996). A course in language teaching: practice and theory. Cambridge: CUP.

This article first appeared in the May 2014 edition of the Teaching Adults Newsletter – a round-up of news, interviews and resources specifically for teachers of adults. If you teach adults, subscribe to the Teaching Adults Newsletter now.


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Moving into EAP: navigating the transition

EAP English for academic purposesWhat exactly is EAP and how should it be taught? Edward de Chazal, a freelance consultant, author and presenter, discusses the challenges and opportunities for teachers moving in this area of English language teaching ahead of his webinar on the subject. 

First and foremost, you’ll want to know what EAP really is. ‘What is EAP?’ might sound like a straightforward question, but there’s quite a lot to it. For some people EAP means study skills – for example making notes while listening to a lecture – yet there’s much more to EAP than this.

It’s helpful to start with the three key words in EAP – English, Academic, Purposes – and look at each of these in turn.

What English should we focus on?

English is such a vast language that we need to be clear about what’s most relevant for our students, and spend time on this. We simply don’t have the time to cover everything.

For vocabulary, it’s useful to divide the language up into three broad groups:

• Core vocabulary – the most frequent words including prepositions and determiners, and frequent nouns, adjectives, verbs and adverbs
• Academic vocabulary – this is central to EAP and includes all the words which express meanings in any discipline, for example ‘argument’, ‘in terms of’, and ‘significantly’
• Technical vocabulary – this includes discipline-specific vocabulary, such as ‘genome’ (genetics) and ‘flotation’ (economics and finance).

In EAP we need to focus mainly on the first two of these – core and academic. Learning subject-specific words is beyond the scope of most EAP programmes, which tend to be general (i.e. where students of different disciplines study together in the same classes) rather than specific (where classes are built round students from similar disciplines, such as engineering or economics).

In addition, there’s grammar. As Ron Carter and Michael McCarthy have pointed out, ‘there are no special structures which are unique to academic English and never found elsewhere’. What’s strikingly different is the frequency and complexity of grammatical structures in academic language. For instance, the passive is far more frequent, accounting for about 25% of all main verbs in academic texts. Complex noun phrases are very frequent too – look out for examples like ‘a difficult investment climate characterized by over-regulation’ and unpack these in your EAP classroom.

What does Academic really mean?

We’ve all got our own experiences of academic life and culture – the schools and universities we’ve studied at and the places where we’ve taught. In EAP we have to prepare our students to survive in a context which potentially has three shocks: academic shock, language shock, and culture shock. Academic institutions like universities have their own cultures and ways of doing things. There are different academic communities – to some extent artists behave differently from biologists. But there are many things in common, such as the principle of academic honesty (don’t use other people’s material without acknowledgment) and the necessity to communicate.

What Purposes are there?

The main purpose of EAP is to enable students to be able to study effectively in their chosen programme, in English. To do this, students need considerable autonomy. Autonomy and independence don’t just happen – in short, EAP teachers need to enable students to learn how to be more autonomous. Students need to learn how to study effectively, individually and collaboratively with other students. And they need many other skills and competences, such as how to search for source texts to use in their writing and speaking.

There’s another, more distant, purpose to EAP. Most students aren’t doing further study in English for its own sake. Rather, it’s a means to an end – a professional purpose.

So, there’s a lot going on in the field of EAP. In my webinar on Thursday 20th November we’ll be exploring this through the lens of ‘E’, ‘A’ and ‘P’. Join us and see what it all adds up to!


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Feedback on academic writing – Part Three

proofreading for English language students in EAPThis is the final article of a three-part series on giving EAP students effective feedback. Julie Moore, an ELT writer and researcher, shares some proofreading tips to help students to reduce careless errors and spelling mistakes.

How often do you remind your students to check their work carefully before they hand it in, then despair of all the careless errors and spelling mistakes that still pepper their writing, especially in a world with spellcheckers? But is proofreading your own writing really that easy?

The importance of accuracy

Accuracy in academic writing is particularly valued. In an academic context, an argument or a piece of research that contains errors and inaccuracies will not be seen as credible. Similarly, it can be difficult for subject tutors reading a piece of student writing to judge whether inaccuracies from a non-native speaker student are a product of flawed thinking or simply a result of language weaknesses. A long text full of minor language errors puts pressure on the reader, as they have to keep reprocessing sentences to extract the correct meaning. In this case, it’s easy to lose the thread of the argument or for the writer’s message to get lost, thus detracting from the academic content.

Teaching proofreading techniques

There’s no simple solution to eliminating those frustrating surface errors, but you can help students by explicitly teaching a few techniques they can use to proofread their writing.

A first step is to raise students’ awareness of their own specific weak points. It’s easy to assume that students know where they make the most mistakes, but often their attention is elsewhere. With every class I teach, I have a session where I ask them to bring in as many pieces of writing they’ve had feedback on (from me or other teachers) as possible. I then get them to go through and systematically count up and classify their error types (with articles, prepositions, noun-verb agreement, etc.) They pick out their top 3 or 4 error types and we work on ways that they can systematically search for and identify those errors in their writing.

This short activity from Oxford EAP Advanced is really useful for highlighting and discussing practical proofreading techniques:

feedback_academic_part3

 

It amazes me every time how many of them don’t have their computer spell-check set to English!

Dictionary skills

With a background in lexicography, I’m a big fan of teaching dictionary skills and encouraging students to use a dictionary and thesaurus both when they’re writing and when they’re checking their work. In class, I jump at any opportunity to turn to the dictionary to demonstrate to students how they can use it to check not just meaning, but collocations, dependent prepositions, following clause structures, etc. I’m particularly looking forward to using the new Oxford Learner’s Dictionary of Academic English with my classes which focuses specifically on the academic uses of words.

I also try to find time to introduce students to using a thesaurus. Often when they try reading something they’ve written aloud (a useful technique for checking that a text flows), they notice they’ve repeated a particular word or phrase too often. I point students in the direction of the Oxford Learner’s Thesauruswhich explains the similarities and subtle differences between sets of synonyms, helping them to choose an appropriate alternative to avoid those awkward repetitions.

Armed with a few simple tools and techniques, I hope that by the end of their EAP course, my students are better equipped to improve their academic writing style and to tidy up their own final drafts. Many of them are incredibly bright cookies in their own disciplines and I’d hate for them to let themselves down with a few awkward collocations or misplaced prepositions!

This article first appeared in the March 2014 edition of the Teaching Adults Newsletter – a round-up of news, interviews and resources specifically for teachers of adults. If you teach adults, subscribe to the Teaching Adults Newsletter now.


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Feedback on academic writing – Part Two

Teacher helping adult studentThis is the second article of a three-part series on giving EAP students effective feedback. Julie Moore, an ELT writer and researcher, shares her thoughts on how teachers can encourage students to act on feedback.

In my last article, I wrote about how overwhelming it can be for new student writers to get back a piece of writing covered in feedback. They can often feel like getting their writing up to scratch is going to be such an uphill battle that they just give up and ignore the feedback altogether. I suggested that by giving less feedback and breaking it down into more manageable chunks, students can focus on a specific area at a time and make realistic progress. With my own EAP students last summer, I started off by focusing on the content of their writing, ignoring language errors and giving feedback on whether they’d answered the question, whether they’d provided sufficient support for their arguments, or whether their overall message was clear.

Copy-editing

Once we’d established what they were expected to write, I turned next to the how. Many students new to EAP arrive with what I describe as a high-school style of essay-writing. That is, their language is rather simplistic: it is not sophisticated enough to communicate the more subtle details and perspectives involved especially at higher levels of academic study. The purpose of teaching students to write in a more academic style is not to make them sound more ‘fancy’ or ‘impressive’, but to give them the tools to do justice to their subject knowledge and ideas. Explaining the why of features of academic style is as important as demonstrating the how.

Group feedback

As you read through writing that a class has handed in, you’ll often find that a particular task has thrown up the same issue for a lot of students, in which case, group feedback is the most efficient way to address it. One rule I always try to stick to is to work on the feedback activity before I hand back students’ individual writing. That way you’re more likely to have their attention, they’re not so caught up in their individual feedback and more concerned about some other feature you’ve mentioned on their paper.

One problem for my students centred around the use of impersonal language in academic writing. In early writing tasks, many of them were still using a lot of personal pronouns to refer to people in general (we, you):

If we restrict access to media like internet for young people, it is possible that they will find another way to gain related information.

So I started off with this example from a student essay on the board (anonymously) and asked who the ‘we’ referred to. Of course, the class came back with various different answers – society, the government, parents, ISPs – so identifying the problem for themselves (i.e. vagueness). Next, we looked back at the text we’d read as input for the writing task (from an academic textbook) and picked out the subject of each sentence. We found that these were invariably noun phrases (often plural nouns to refer to specific groups), thus identifying how expert academic writers deal with this situation. Then in small groups, students looked at some more similar examples from their own writing, identified the problem in each case and suggested rewrites.

Responding to feedback

As well as staging group activities to highlight problems and features, I also tried to get students to engage more actively with individual feedback. So I’d focus on two or three key errors in a piece of writing and frame my feedback in the form of a question to be answered. I then asked students to email me their rewrites of just the highlighted sentences. For example, this was an exchange with a business studies student just after we’d been talking about hedging and the appropriate use of confident and tentative language:

Student’s first draft: This paper demonstrates how the main management methods…

My feedback comment: Is demonstrate the best verb here – a little too confident?

Student redraft: This paper attempts to argue that the main management methods…

My feedback: Great! This is really good and sounds just right for a student writer.

By making feedback a collaborative process between student writer and you as editor – rather than a passive one – you can help students to better understand why we use certain linguistic features in academic writing and hopefully, help them to find their own voice as a novice academic writer.

In my next article, I’ll talk about teaching proofreading techniques to help students polish up their final draft.

This article first appeared in the February 2014 edition of the Teaching Adults Newsletter – a round-up of news, interviews and resources specifically for teachers of adults. If you teach adults, subscribe to the Teaching Adults Newsletter now.


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Feedback on academic writing – Part One

EAP feedback to EFL students

Image courtesy of Giulia Forsythe

This is the first article of a three-part series on giving EAP students effective feedback. Julie Moore, an ELT writer and researcher, shares her thoughts on how to give your students constructive feedback on their writing.

Although I’ve been working in ELT publishing for some 15 years, co-authoring Oxford EAP Advanced was the first time I’ve been involved in writing a whole coursebook. It was a very steep learning curve in all kinds of ways, but perhaps one of the most challenging parts of the whole experience was the process of having my writing edited. I’d spend long hours at my desk writing a unit, then I’d email my completed draft off to my editor and wait with trepidation for her feedback. When I opened up her reply, my heart would often sink at the sight of those tightly-packed comments squeezed down the margin of every page and the prospect of ploughing my way through them!

So when I finally got away from my desk and back into the classroom again last summer to teach on a pre-sessional EAP course, I approached giving feedback on my students’ own writing with a fresh perspective. But what lessons had I learnt?

Less is more

In an EAP context, writing is a key skill and as teachers, we have a tendency to want to give as much feedback on written work as possible. Our intentions are good – we want to help our students improve – but the effect can sometimes be the opposite. Students are so overwhelmed by all the feedback that they either get demotivated and lose confidence, or they skim through to find the grade or the final comment and then file away all our careful feedback, largely unread.

Having experienced how daunting masses of feedback can be for a writer, I was determined to make the process less scary and more productive for my students. I turned to publishing again for a way of breaking it down into more manageable steps:

  • content editing – focus on what is written, rather than how
  • copyediting – focus on style, voice, flow, etc.
  • proofreading – tidying up surface errors

In this article, I’m going to talk about the first stage of the editing/feedback process:

Focus on content

For many students new to EAP, their experience of writing in English has been mostly of short, functional letters and emails, and if they have written essays, they’ll have been of the rather simple, formulaic kind which are designed essentially to practise or test the student’s language abilities. In an ELT context, the focus is often not really on what you write so much as the language you manage to display. A student can produce a fairly inane piece of writing, saying really very little of any substance, but if they show a range of vocabulary, reasonably accurate grammar and throw in a few nice discourse markers, they can get a good mark. This simply won’t cut it in an academic context where: “After all, we teach college students to write not because we expect them to become writers, but because writing is the evidence that they are mastering intellectual concepts.” (McBride, 2012).

So in the first few writing activities I did with my EAP students, I focused very much on content: on what they were expected to write. In my feedback, I ignored the surface language issues and commented only on how well they’d tackled the task. Had they answered the question? Had they put forward a clear argument and supporting evidence? Had they offered analysis and evaluation as well as simple description?

As we worked on some of these key principles of academic writing, I encouraged students to evaluate the content of their own writing, establishing routines and checklists they could use to edit their writing in the future. For example, the following criteria to check a main body paragraph of an essay:

  1. Have you stated the main argument clearly?
  2. Do supporting points flow logically?
  3. Are key concepts/terms clearly defined and/or explained?
  4. Does the evidence support the main argument?
  5. Have you included comment and/or evaluation to make your own stance clear?
    (Adapted from Oxford EAP Advanced)

The initial reaction from some students was uneasy – surely it was my job to correct all their language errors, wasn’t it? It was important that I explained clearly what I was doing and why. I kept copies of students’ writing to use examples (anonymously) as part of other activities on specific language points. I also reassured them that I’d be giving feedback at a more micro-level on their individual writing as the course went on.

And did the approach work? Overall, I think it did. By concentrating first on what they were expected to write, it laid a solid base on which to build the details of how to write as the course went on.

In my next article, I’ll talk about copy-editing and feedback techniques for helping students achieve that all-important academic style.

References

de Chazal & Moore (2013) Oxford EAP Advanced/C1 (OUP)
McBride (2012) ‘Patchwriting’ is more common than plagiarism, just as dishonest http://www.poynter.org/latest-news/everyday-ethics/188789/patchwriting-is-more- common-than-plagiarism-just-as-dishonest/

 

This article first appeared in the January 2014 edition of the Teaching Adults Newsletter – a round-up of news, interviews and resources specifically for teachers of adults. If you teach adults, subscribe to the Teaching Adults Newsletter now.

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