Erika Osvath is co-author of ‘Mixed-Ability Teaching’ from Oxford University Press’ ‘Into the Classroom’ series. Today she joins us ahead of her talk on Saturday April 16th at this year’s IATEFL conference to preview ‘Focusing on the Creative Self in the mixed-ability classroom’.
As many language teachers and researchers around the world attest, the self-esteem of language learners, being so fragile, is an important aspect to consider in the mixed-ability classroom. Students with lower language level tend to be less confident, quieter and thus attempt to engage in much fewer opportunities to work with language. Meanwhile, stronger students may feel confident that they can perform well in most tasks the teacher sets and they are also likely to be more ready to take risks when using new language. The two scenarios described above are fairly typical in the mixed-ability classroom and it is easy see how they will inevitably lead to further increase of the gap in the language knowledge and abilities of these students.
So our job is to create opportunities where we support the self-esteem of all the students while at the same time reach the desired language teaching goals. One way of achieving this in the classroom is by setting tasks that build on self-expression through flexible frameworks that can be easily used by students of mixed language levels. Through activities that involve art, music and poetry we can help students to drawn on their own content, to focus on their creative selves primarily, allowing language to emerge as a result. These forms of expression are highly personal and unique for every student, therefore they become a lot more engaged and actively involved in the learning process. Art, music and poetry become a channel for students to express themselves in meaningful ways, and the added benefit of these forms of creative self-expression is that they bring about an audience too, having a further positive effect on how students perceive themselves in the language learning process.
So let’s look at a few examples of such tasks:
Play some soft instrumental music in class and ask students to doodle, to draw lines and shapes that the music evokes. The only rule is that they cannot pick up their pen from the paper, but let it move as the music leads it. Then post their doodles around the room and give each student a few post-it notes. Write the following stems – or anything appropriate for the level of the students – on the board to help them comment on the doodles displayed.
This is/looks … (adjective)
I like it because, …
It’s interesting because, …
It reminds me of …
I think you may have thought of …
Students should walk around the room, look at the doodles, write one positive comment on a post-it note, and stick it on the appropriate doodle. Once someone has already commented on a doodle, they should read it and put a smiley emoticon or a tick if they agree, but they cannot add a new comment until all the doodles have one, i.e. a post-it note.
Let students walk around the room, enjoy the doodle exhibition and read each other’s comments. If you find it appropriate, as a follow up you could also ask them to share their thoughts and reactions to the doodles in speaking in small groups too, again, using the sentence stems from the board.
There are various ways you can ask students to write poems about their own feelings and thoughts. In my experience, students respond very well to ones which contain repetitive structures. These, of course, are ideal language practice opportunities at the same time. For example, ‘I will …, but I will not … ‘ for future promises or ‘I didn’t …, but I …’ for describing their last holiday, etc. You may also want to use a short and simple model poem for them to read and be inspired by, but make sure these are not challenging linguistically. In each case, it is crucial that students are asked to brainstorm ideas based on their personal feelings and their own experiences before they see the model poem. Otherwise, the model poem may become an obstacle for students to write their own, especially to learners who might think they have to produce something similar. For an example lesson with a model poem, see here.
5 April 2016 at
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