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12 Student-Pleasing Activities Using Graded Readers

children reading graded readersReading can be a challenge for students learning English. Therefore, starting with graded readers for extensive reading lessons can be a very good option. This way, the student will learn new vocabulary in a meaningful context and improve their language skills. Having an extensive reading program can also help students become independent readers.

A reading program may consist of three stages: pre-reading, while reading and post-reading. Here are some activities that you may find helpful in implementing graded readers in your lesson plans.

Pre-reading

1. Word Detective

Before you begin reading any of the graded readers with your class, choose a sentence that can be a message for your students. This can be as simple as ‘Reading Is Fun.’ Find these words inside the books and note down the name of the book and the page that the word is on. Show students the sentence without the words, using only lines.

For example, _ _ _ _ _ _ _ / _ _ / _ _ _.

Ask students to check their book(s), depending on how many graded readers you are going to read in class, and to try to find the words. You can help them by saying that ‘The second word is an auxiliary verb’, or ‘The first one starts with ‘R’.’ They can work in pairs, which will help them to work on their communication and collaboration skills. The students can also gain a general understanding of the book they are going to read. It will be even more fun when they come up with their own sentences.

2. Find the characters

Before you start reading your book, in order to generate curiosity, ask students to go through the pages of the book and search for proper names. How many can they find? Ask them to guess who these people might be. Ask them to take notes of the answers they give. When they finish reading the book, they can then see if they can guess who these characters are.

 3. Guess the title

Show the cover of the book to the students but hide the title. Ask them to guess the title of the book. Talk about the various answers they give and why they gave that answer.

 4. Match the title

Ask students how many types of book genres they know. If they are not ready to answer you can elicit. You can also ask them to search for different literary genres online before your lesson. You can say that Sherlock Holmes Short Stories belongs in the crime and mystery genre, Dracula is a horror story, and Alice’s Adventures in Wonderland is a classic fantasy story. They can add more to these examples. Talk about each genre to understand if each of them means the same to all. Write some examples of different genres on the board then write the titles of the graded readers that you are going to read and ask them to match with the genres. They need to try to guess the genre of the book just by looking at the title. After reading, you can discuss if they are right.

While reading

5. Take a selfie

When your students start reading their books, ask them to take a selfie while they are reading. They can get as creative as they want. Then, create a class, or even a school, exhibition and share the photos for everyone to see. Seeing other people’s photos in which they enjoy reading may be inspiring for those who do not find reading ‘cool enough’. You can also share these photos on a classroom blog or school website. If you are teaching online, every student can use the photo they take as their profile picture.

6. Word Clouds

Choose some words from the next chapter and add them to a word cloud tool online (there are many free online options, here is one example). Add some words that they will encounter in the next chapter and make a word cloud. Ask them to guess what might happen next. After they finish reading the chapter, they can see if they are right about the story that they come up with by only looking at the words in the word cloud.

 7. Horoscopes

Before moving on with the next chapter, students can write horoscopes for each character in the book and predict what will happen next. Since the students may not be familiar with horoscopes, you may need to clarify what a horoscope is first. You can share some examples of horoscopes that you can easily find online. They can think about what sign these characters are. You can divide the classroom into teams and give each team one character to write horoscopes for. They can then compare their tasks and, after reading the chapter, you can have a class discussion on which team is the closest to the correct answer.

 8. Tell me what you see

This activity is for the books that have illustrations in them. Ask students to work in pairs. One student will explain what they can see in the illustration for the chapter you are about to read, and the other will try to draw a picture while listening. They then try to guess what that chapter is about.

Post-reading

9. Write a play

After students finish reading the reader, in groups they can write a playscript of the book and act it for their classmates. They can revise the grammar structures you have been working on and add new characters if they want.

10. Act a scene

After you finish reading the book as a class, you can discuss what the best part was for the students and why. Ask the students to work in pairs or groups and choose a scene from the chapters and act that scene. You can differentiate this activity by asking the students to act the scene without speaking. They will only use gestures.

11. Pose the scene

For this activity, you need to describe some important scenes very briefly from the book on small pieces of paper. Divide the classroom into as many teams as the number of scenes you have written. Put the papers in a bag and ask each group to choose one. The students should decide quickly how to organize for the scene and pose like it as if somebody is taking a photo of it. The others will guess which scene it is and what happened. When everybody finishes posing, they can decide the order of the different scenes.

12. Roleplay

Ask students to write a brief description of one of the characters. You can also nominate a character to each student. The description may include age, occupation, Zodiac sign, hometown and anything that you think is relevant. Students then work in pairs and ask and answer questions according to the role-play cards. You can turn this into a kind of a gala event where all the characters meet each other and talk. There may be 2 or 3 of the same characters, which may add more fun!

Bonus! – Your students are more likely to develop a habit of reading when they see you reading. Read along with your students, carry the book that you are currently reading, talk about it with your students and you will see this will have a positive impact on them.

 

Aysu Şimşek is a passionate advocate of continuing professional development. After graduating from Istanbul University with joint honours in American Culture and Literature with Theatre Criticism and Dramaturgy, she embarked on her own teaching career. She has a distinctive experience with young learners, and now in her role with Oxford University Press, Aysu meets and supports teachers from across Turkey and is an active member of a global community of dedicated educationalists. She has delivered training sessions for different types of ELT events, and co-written articles for Modern English Teacher magazine and TEA Online Magazine.


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A View on Reading: a Skill for Life | Gustavo Gonzalez

Why Reading?

Reading is a skill that everybody should excel at. We need to read to interact, to agree, to disagree, to make decisions, to comprehend, to understand. All in all, Reading is an invitation to savour life.

Reading sometimes goes unnoticed, because we are focused on doing something else.

Have a look at the following picture. What five words from the word cloud resonate with you and your relationship with reading?

 

Have you just realised that in order to select such words, you had to read? Basically, this is not a reading activity, but you needed to read to accomplish the task. This is what I meant before when I said that reading sometimes goes unnoticed.

Reading is such an essential part of learning, such an essential part of life! Reading is everywhere! And students need to effectively develop this skill in order to interact with life itself.

Do you have your heart set on reading? What about your students? I like to believe that when you put your heart to something, you are likely to succeed in doing it! How effective and successful are our students today when it comes to reading? These are some questions that, in my opinion, need some further consideration.

Many are the times in which they are faced with Reading activities that only cater for knowledge of syntax or how the language works, with questions that push them to “copy/paste” the answer and they feel they have comprehended the text. And when you ask them to infer meaning, they just blurt out “The answer is not in the text, teacher!” They are not used to reading critically, to analysing, evaluating, to creating something new out of a given text. As you can clearly see, I am resorting to Benjamin Bloom’s taxonomy of learning outcomes and objectives when I say this. We cannot talk about Reading without referring to Bloom’s taxonomy (see picture below). I am taking this framework only as a springboard for the so many activities we can design when it comes to reading.

Bloom concluded that 95% of test questions focus on the lowest level of his taxonomy, the recall of information. Many reading comprehension tasks consist of questions that focus only on the sheer recall of facts presented in a text. Students do not find any appeal in doing this, they get bored, they do not find meaning in the activity and they give up. Something must be done.

Bloom’s Taxonomy of Learning Outcomes and Objectives (1956)

Credit: https://oupeltglobalblog.com/2014/03/03/creativity-in-the-young-learner-classroom/blooms-revised-taxonomy/

 

So I guess it’s high time we started reconsidering whether students’ dislike of reading is because of the tasks that many teachers provide them with.

Not only should we focus on our students decoding, that is, the ability to understand letter-sound relationships, such as knowledge of letter patterns in order to pronounce written words correctly (which children grasp in their first years of schooling), but on the students’ knowledge and vocabulary that will enable them to understand a given text. Decoding in itself is not Reading. Decoding is essential for Reading. But we can only talk about Reading if Comprehension is involved.

To what extent do students enjoy reading?

I believe that the skill of Reading is the one students like the least. They usually associate reading with exercises that require them to recognise this or that, to what “it” refers to in line X, to look for the author’s intention, to find the main idea and the details that support it, to put events in order, to compare and contrast, to re-insert a line into a given paragraph, to identify words, to find cause and effect relationships, and so on and so forth. Mastering these skills makes them think they have a good comprehension of the text. But do they? Don’t get me wrong, please, I am not saying that these tasks are not necessary, but I think there are many more ideas that can be implemented to get students to find meaning in what they do when reading.

Isn’t it time we made them realise how much more they can get out of Reading and how much they can enjoy the reading itself when activities are meaningful, relevant, fun and they meet their interests?

The typical three stages of reading tasks

You know how important the three stages of a reading task are, namely pre-reading, while-reading (or through-reading) and post-reading activities. Yet, many times we spend precious time on grammar or vocabulary tasks, which aren’t true comprehension activities. Students are presented with meaningless activities that should be engaging and go beyond some of the conventional tasks mentioned some paragraphs above.

Well-thought-of and carefully-planned activities that are engaging and meaningful can make all the difference when it comes to making reading a skill that students will crave for.

The Art of Constructing, Deconstructing and Reconstructing Meaning

I like to think of Reading as a complex and active process of constructing and even deconstructing and reconstructing meaning. That meaning will be constructed, deconstructed and reconstructed in three possible ways:

  • In an interactive way — involving the reader as well as the text and the context in which reading takes place.
  • In a strategic way — readers have purposes for their reading and use a variety of strategies and skills as they construct meaning.
  • In an adaptable way — readers change the strategies they use as they read different kinds of text or as they read for different purposes.

Should you be interested in reading more about what Cognitive Science Research tells us about Reading Comprehension and Reading Instruction, you will find a very comprehensive article you may find interesting at www.readingrockets.org (see full link to the article at the end of this article).

What I care most is that during that meaning-construction/deconstruction/reconstruction phase, students are able to find joy in what they are doing and they have fun at the same time.

Reading for Life

Reading is a skill that will stay forever with us. We should instil the love of reading in our students. They need to stop seeing it as a boring task only to do exercises or to pass tests, but as a skill that will accompany them and will make them informed and assertive human beings for life.

Register for my upcoming webinar! 

In my webinar I’ll explore these themes further, and will share some real-world activities that I use with my students.

Register for the webinar

Gustavo González is an English teacher from Argentina, he’s been in the ELT field since 1993, working as a teacher, school coordinator, teacher trainer and presenter. He has been delivering seminars and workshops all over Argentina, South, Central and North America, China, Singapore and Spain. He is one of the contributors to the book “Imagination, Cognition & Language Acquisition: A Unified Approach to Theory and Practice”, published by the New Jersey City University and has also written some articles for OUP (Oxford University Press), IATEFL (International Association of Teachers of English as a Foreign Language) and other institutions. He is a teacher trainer for the Oxford Teachers’ Academy (OTA), freelance PD trainer for Oxford University Press, Trinity College London and Buenos Aires Players, an educational theatre company. He is a former vice president of APIBA, the Buenos Aires English Teachers’ Association and former vice president of FAAPI, the Argentine Federation of English Teachers’ Associations.

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The Jungle Book becomes our 100th Domino! | Alex Raynham

Jungle Book graded reader among other copies of the Jungle BookTo mark the publication of the 100th Dominoes graded reader − The Jungle Book by Rudyard Kipling − the author Alex Raynham talks about the challenges of adapting such a classic title and gives some advice about classroom use.

When Rudyard Kipling wrote The Jungle Books (originally plural) in the mid-1890s, he was the most popular author in the English-speaking world, and his stories became an instant classic. The Jungle Books have stood the test of time, appealing to successive generations of readers and appearing in many print, movie, and theatrical adaptations. The characters of Mowgli, Baloo the bear, Bagheera the panther, Kaa the snake and Shere Khan the villainous tiger have become part of popular culture. No wonder then that Oxford University Press has produced so many different versions over the years!

How do you adapt a classic story?

The biggest challenge was how to adapt and simplify a story that has become such a well-known classic, whilst keeping it fresh and entertaining. The original Jungle Books are a diverse collection of stories over 300 pages long. In contrast, a Level 1 Dominoes cartoon-style reader has only 27 pages of story text and is about 3,000 words − so careful text selection was required. We decided to focus on the stories in The Jungle Books, which concern the adventures of Mowgli and his friends and exclude any stories unrelated to them. We then tried to focus on key events that moved the stories forward and contributed to our understanding of the main characters.

After that we made a detailed plan of each page of the story, deciding what artwork and text to include in each ‘frame’ on those pages. Each piece of text needed to be short enough to leave plenty of space for artwork, so the wording needed to be precise. Every sentence had to contribute to the overall story. In addition, each chapter needed to end with some kind of cliffhanger, motivating learners to read on and find out what happens next.

Staying true to Kipling’s vision

The original Jungle Books are witty, captivating and descriptively rich. Kipling sets the scene and paints the characters beautifully. So one big issue with the adaptation was how to stay true to the spirit of the original story when a Level 1 Dominoes reader only has A1 grammatical structures and a wordlist of just 400 headwords. One way to do this was to preserve Kipling’s ‘voice’ as much as possible. Using plenty of direct speech helps with this, and we’ve also kept some of Kipling’s original phrases: for example, ‘man cub’ − the way that Mowgli’s wolf family describe him as a child.

Why a comic strip?

A comic strip is ideal for many readers at A1 level − particularly titles which contain rich settings and many different characters, such as The Jungle Book. It helps to introduce new vocabulary, and descriptions of the characters and settings can be supported by the pictures, making them easier to visualise at this level. A comic strip also helps the teacher to use each chapter in a variety of ways in class. For example:

  • Illustrations help the teacher to pre-teach vocabulary or reinforce it after reading.
  • All or part of some speech bubbles can be blanked out, and learners can be asked to reconstruct or predict the dialogue.
  • The teacher can photocopy a page of the story and cut up the pictures, then rearrange and scan them, asking learners to put them in order. This can be done on the IWB as a pre-reading prediction activity, or as a post-reading story review.

Supporting learners’ reading without breaking the flow

It’s probably true to say that the less we intervene, the more learners get out of extended reading. We need to motivate learners by giving them a sense of achievement through being able to read and understand an extended narrative pretty much on their own. But we also want to make sure that learners are actually understanding the story and getting the most out of it. So we’re playing the role of facilitator– encouraging students and giving them space, but also directing them to the resources contained in the books.

The meaning of above-level vocabulary is given on the page in Dominoes titles, allowing the learner to read on without getting stuck. For example, in The Jungle Book, we gloss the word ‘cub’ so that learners can understand ‘man cub’. It’s important to direct them to these Glossary words when needed without interrupting their reading by focussing too much on them.

Using activities to support learning

The Activities after every chapter can be used to facilitate class discussion about the story and recycle new vocabulary, but we should avoid the temptation to check that learners remember every detail. Using the ‘Guess What’ predictive activities in these sections is a good way to get learners thinking about the plot and what might happen next without the pressure to get any answers right.

End-of-book Grammar Check activities are designed to support learners when reading each particular title. For example, in The Jungle Book, one focus is irregular plurals nouns like ‘deer’, ‘buffalo’ and ‘teeth’! Using the Projects at the back will also help learners to relate what they’ve read to their experiences and the wider world. For example, in The Jungle Book, they’re asked to write a profile of one of four animals in the story, based on a model: Bengal tiger, wolf, black panther or brown bear.

It’s easy for students to get to the end of a graded reader, then forget about it. But in L1, we talk about good books that we’ve read with friends and think about them long after we’ve turned the last page. So it’s vital to try and reflect this both inside and outside the classroom.

 

Looking for something new to support your learners’ reading skills? Try these ready-to-use activities from our brand new graded reader!

Download your sample of The Jungle Book

Download the Activity Pack

 

Alex Raynham grew up in New Zealand and the UK before graduating from Oxford University. He was an ELT teacher in Italy and Turkey and later became an editor with Oxford University Press. Today he is a freelance author, editor and ELT teacher trainer based in Turkey. He has written over 20 ELT titles, including more than ten graded readers for Oxford University Press, and spoken at conferences throughout Turkey and abroad.


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Find your learner’s reading level | Andrew Dilger

Find your reading level

I have a question for you. Do you know your learners’ reading level in English – I mean, really know it? If your learners are halfway through an A2 coursebook, does that mean their reading level is A2-and-a-half?! The cautious ones among us would say ‘Not necessarily’; the bold ones would say ‘No’. But in an age when efficacy and assessment is all the rage in ELT, plenty of pressure is put on the teaching community (by itself, parents, and other stakeholders) to measure learners’ language skills accurately – down to the nth degree, in fact.

 The dark art of testing

Measuring reading level has always been something of a dark art, or at least a shadowy discipline. Part of the problem is that, as a receptive skill, it seems to take place inside learners’ heads. We can test comprehension, of course. And how we love to test it – with questions, gapfills, clozes, and multiple-choices, all of which require learners to skim and scan until they go cross-eyed! We often enjoy testing comprehension so much that we squeeze the life out of a text. It’s a wonder we don’t put learners off reading in English altogether.

There are other factors at play, of course – short attention spans in a fast-paced, device-driven world compromising the appeal of ‘deep reading’ is one of them, but that’s an easy target. The main issue is that most learners aren’t reading the right texts for them, and not in the right way.

Reading improves all-round ability

If learners want to improve their reading level – and benefit their all-round ability in English – then it’s vital we help them discover how to do this. And don’t just take my word for it. Research by luminaries like Richard Day and Paul Nation has suggested this for years. There are massive gains to be made by learners reading a lot in English – reading extensively for interest and pleasure. For more on this, see this article from El País (use Google Translate if your Spanish is rusty or non-existent).

Reading fluency over reading comprehension

So let’s go back to the question: Do you know your learners’ reading level? The important thing to appreciate is that I’m talking about reading fluency here. Can they read a text connectedly and understand the majority of words?

Most publishers have an online test which claims to tell learners their reading level. Take the Macmillan Readers Level Test, for example. In actual fact, it’s a series of grammar and vocabulary sentences with multiple-choice options, i.e. it doesn’t test reading fluency at all. It features prompt pictures for all the items but most are decorative rather than functional. In addition, some of the sentences are unnatural or misleading, e.g. I’ve got an ache in my throat; Did you hear the thunder last night? with the prompt picture showing lightning. The maximum level the test can give is Upper Intermediate and, if you retake it, the questions and options are all in exactly the same order… so you can improve instantly by virtue of having done the test already.

A tool instead of a test

Here at OUP we’ve come up with something different and something new. And we’d like you and your learners to decide how useful it is. For a start, we’re not calling it a test – it’s a tool. A semantic difference perhaps, but an important one. This isn’t a grammar check based on a random text, but something which genuinely attempts to gauge how fluent learners are at reading a page of a published story.

How does it do this? With a disarmingly simple innovation. Learners themselves decide whether they know the meanings of the words or not. They also decide whether a page of a story at a certain level is ‘Too easy’, ‘Too difficult’, or ‘OK’. This is known as the Goldilocks Principle and is common in cognitive science and developmental psychology.

‘But students will cheat!’ I hear you cry. If they do, they’re only cheating themselves because they’ll be shown a range of stories at the wrong level. It’s like buying clothes – why would you choose trousers which are two sizes too big if they fall down round your ankles? Instead, what learners need is something that ‘fits’ – something that’s right for them at that stage in their development. This means being able to read confidently at a comfortable level.

What’s the point?

After all, the point of learners finding their reading level isn’t so they can brandish it on a certificate or boast about it on social media. The point is to open up a world of texts, stories, and information which they will find digestible and rewarding – even life-changing.

If YOUR learners want to find their reading level in English, they can try our new tool here. Why don’t YOU try it, too? It’s free and takes less than 10 minutes. Because it’s a beta version, we’re also interested in getting feedback about ways to improve it, so please ask your learners to complete the survey too. Happy reading!                      

Find your reading level button

 

Andrew Dilger is a Managing Editor at Oxford University Press. He has been involved in English language teaching as a teacher, trainer, and editor for over a quarter of a century. He is passionate about the power of reading and claims to have read something every day of his life since he first went to school.


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4 Creative Ways To Share Your Enjoyment Of Literature

teenagers enjoying literature togetherThroughout my teaching I have used literature in the EFL classroom, and the most rewarding moments have always been connected to lessons where I was teaching a poem, a short story, or a play. I’ve always thought that the most important factor was my own love of the pieces that I was teaching, and finding ways of sharing that love with my learners.

Here are four ways in which you can engage learners with literary texts, convey your own love of literature to your students, and show them how literature reflects human experiences and connects to our lives.

 

1. Connect the piece of literature to your students’ personal lives

James Joyce’s short story, Eveline, is about a young woman in early 20th century Dublin who has a chance to leave home with her suitor and go to Buenos Aires (you can find it here). I taught this to students aged 17 or 18, to whom the themes in the story were very relevant, introducing these themes without students even knowing that our discussion would lead to a literary work.

I start by presenting Edward Hopper’s painting New York Movie and asking students to describe the woman in the picture, where she is, what she is doing, how she is standing, then what she might be thinking about. Then I ask them to write the first paragraph of a short story about this woman. Invariably, students describe her as tired, stuck in a tedious job; they suggest she might be thinking about household chores she still has to do; they write about her dreams for the future and escaping her lot through marriage. We discuss the students’ interpretations, their first paragraphs, what they mean about the students’ view of life. The students see this as an exercise in creative writing but, without knowing it, they are writing about many of the themes of the story.

At the end of the lesson (or even in the next lesson) I move to the first paragraph of the story:

She sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.

This extensive introduction ensures that even before we start reading Eveline, the students have made connections between the main themes of the story and their own experiences.

 

2. Illustrate ways in which literature connects to current events

Many literary works are extremely relevant to contemporary events. They may be overtly political and obviously written in response to a major event, like W.H. Auden’s September 1, 1939 (a wonderful poem, though I wouldn’t suggest using it in an EFL class!), but even poems that are not political have contemporary resonances. One example is Robert Frost’s Mending Wall, written in 1914, which talks about two neighbours meeting to fix the wall between their properties. It meditates on walls and boundaries, their uses and misuses, their personal and public meaning. Though Frost could not have known that 100 years later there would be such violent discussions of walls in the public sphere, the connection to current events is clear. Discussing this enables you to work on understanding other people’s points of view and balancing contradictions and ambiguities in one’s own thoughts – vital skills and attitudes in contemporary life.

 

3. Connect the piece of literature to art

Many artists have responded to literature in different ways. The contemporary American artist Roni Horn has responded to Emily Dickinson’s poems by casting lines from the poems in plastic letters. She embeds these in aluminium bars, which she then places against a wall – see here . When you walk into a room with these bars against different walls they present an enigma – you have to approach to realise that they include letters and words, and you realise slowly that these are lines from poems. The bars force you to consider their meaning – which is not immediately obvious or straightforward. As you walk round one of these bars and watch it from different angles the words appear and disappear – a wonderful metaphor for the way in which the meanings of poems are difficult to grasp and the way in which they enter and exit our consciousness.

By doing this you are demonstrating to learners that literature does not stand on its own – it is part of a rich cultural history and a rich cultural present.

 

4. Encourage students to react

One way of moving the focus from us to our learners is an easy technique called ‘a walkabout’ or ‘gallery walk’. The idea is simple – you choose a number of extracts, print out or photocopy enlarged versions of these extracts, and put them up on the walls around the classroom. Students walk around the room, read the extracts, and choose the one that they like most, or that means most to them. They then go and stand next to it, and discuss their reasons for choosing this extract with the other students who chose it. Each group then tells the others why they chose a specific extract.

In order for this activity to work the extracts need to be short – you can choose short poems, the opening paragraphs of different stories, or the opening paragraphs of different novels. I have also used it with short critical views of works that we have studied. Choosing short extracts means that students have time to read everything before they make their choice. Also, don’t choose too many extracts – 5 or 6 extracts are more than enough. This normally means that there is someone who chooses one of the extracts.

 

Want even more simple techniques to promote language development, for all levels and ages? Watch my webinar!

Watch the recording

 

 

Amos Paran is a Reader in Second Language Education at the UCL Institute of Education, University College London, where he teaches on the MA TESOL. He started his professional career in Israel, where he taught EFL in secondary schools and trained teachers. He has run teacher training workshops in countries such as Viet Nam, Uzbekistan, Israel, Switzerland, Spain and France, and works regularly in Chile.

His main research interests are reading in a foreign language and the use of literature in language learning, as well as distance education, and he has written extensively on these topics. He is co-editor (with Lies Sercu) of ‘Testing the Untestable in Language Education’, published in 2010 by Multilingual Matters. His most recent book is Literature, co-written with Pauline Robinson and published by Oxford University Press in the Into the Classroom series. He is also a lead tutor on the free Coursera MOOC, ‘Teaching EFL/ESL Reading: A Task Based Approach’.