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How can I boost classroom participation?

answering-questions-in-classZarina Subhan is a teacher trainer who has been working in the field of EFL for 25 years. She has taught in both private and government institutions in many different countries and has worked with policy makers, educators, community leaders and civil servants In a variety of contexts. Her interests are education and development of people and institutions. Today she previews her September 28th and 29th webinar, “Boost Classroom Participation” in a short video blog explaining what you can expect when you attend this free session.

All learners need a classroom atmosphere in which they can feel able to experiment with, notice and understand aspects of the English language without fear of making mistakes in front of their peers. This webinar will give you practical ideas for how to create this kind of environment in your language learning classroom.

In this free-to-attend webinar, you can expect to…

  • Reflect on recognise ways in which we might accidentally demotivate students
  • Learn how to reduce student anxiety
  • Gain strategies which help students participant more actively

If you’d like to attend the webinar or receive a recording of one of the sessions, simply register at the link below.

Register for the webinar


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7 ways Creative Writing can help your EFL students

shutterstock_176605295Having graduated from Queen’s University in Kingston, Ontario, Jonathan returned to his native Malta to get a TEFL Certificate before going to Korea for 4 years to travel and teach English. He has now returned to Toronto where he started CreatEng Cafe – a creative writing website for English learners. Each year they host a Creative Writing Competition where students from all over the world participate for a chance to win prizes and get published.

Learning phrases and studying grammar will help students understand the foundation of English, but they can only truly become fluent once they are able to construct their own sentences freely and independently, and what better way to do that then by telling a story?

Here are 7 ways creative writing can help your students learn English:

  1. Puts Your Grammar Lessons Into Practice

So they get pretty good marks on their grammar test, but what about their ability to communicate their thoughts? Sometimes students spend so much time with their heads in books they do not get the opportunity to share their own stories. This can help them practice all the grammar they learned and put it together into an entertaining story.

  1. Improve Confidence

Having someone else read a story you wrote is very empowering, but even if they don’t share it, students will build confidence having the freedom to create their own story and not having to worry about being perfect.

  1. Inspiring and Motivational

Grammar books can be a little rigid, and creative writing gives students a little more time in the playground. Having been able to write a full story, no matter how long or short, will give them a sense of accomplishment and the motivation to push themselves further.

  1. Exercise their Creativity

Some words or phrases can have several different meanings, and creative writing gives students the ability to think about the words they use differently. This new perspective on words will let them be adventurous and it will lead them to more discoveries.

  1. Accessible Anywhere and Anytime

Some students will not have anyone to practice their English with outside of the classroom, but creative writing can be a great outlet for students who want to continue practicing at home or at school.

  1. Think in English

When students learn how to communicate their ideas, thoughts and feelings in English they will feel more in control. They will eliminate that step of translating or thinking in their head and it will become more natural for them.

  1. Become More Fluent

There is a sense of accomplishment having learned how to think in English and communicate a story confidently. Practice makes perfect and with each story they write they become more and more fluent.

Do your students have a story to tell?

They can enter the CreatEng Cafe writing competition for their chance to
win prizes and get published.


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Easy, motivating and meaningful ways of using digital tech in the classroom

shutterstock_287594936James Styring taught English and Spanish to students of all ages and levels. He also ran teacher-training sessions and was an oral examiner for the Cambridge PET, FCE and CAE exams. James worked for ten years in editorial roles at OUP before becoming a freelance author. He has written more than 50 ELT titles. He joins us today to preview his upcoming webinar, ‘Easy, motivating and meaningful ways of using digital tech in the classroom’, taking place on August 24th and 25th.

How do ‘screenagers’ learn?

Everyone born in the last 15–20 years (AKA Generation Z) has grown up in the digital age. Tablets and smartphones are not an add-on but an essential part of daily life, something Generation Z has never lived without. Generation Z expects wifi and 4G as a basic need, the same as an expectation of running water and electricity for older generations. Trying to engage a classroom of Generation Z students doesn’t always hit the mark if a vital component of their life is missing: their digital side. ‘Screenagers’ and young adults miss the devices through which their life is mediated. Success with this generation depends on appropriating the students’ digital world and deploying it in valid ways in the classroom.

As teachers, what’s of interest to us are the character traits of Generation Z. What do we know about Generation Z and their learning style? They may have less-developed social skills than older generations, as they stumble along the pavement catching Pokémon. They like communicating in bite-sized messages and they’re masters of multi-tasking. This means they respond well to classes which involve a variety of inputs and a varied pace.

How can teachers help screenagers?

The webinar looks at how teachers can vary interaction patterns and pairings, mimicking students’ everyday communicative experience of flitting between Instagram and Twitter and WhatsApp within seconds and without missing a beat. Mimicking these patterns in class can stop itchy feet and dispel boredom. One way of achieving this is bringing classes to life digitally. Most teachers know this but many feel overwhelmed by the proliferation of ‘digital’ in TEFL. The blogosphere is alive with talk of LMSs and MOOCs and big data. ‘Digital’ can quite quickly start to feel alienating and off-putting, not to mention time-consuming and expensive to implement, as you imagine your school spending thousands on tablets or on access to a digital platform.

Well, the good news is that you don’t need any of that. There are lots of classroom activities that you can do for free and often with zero preparation utilising the phones or tablets that most students already have in their schoolbags. You can achieve meaningful outcomes from students taking out their tablets or smartphones (or even older ‘feature’ phones) and using them as a natural part of the lesson. All you need is an open mind and a little imagination. The reason for doing this is not some sort of gimmick. It’s a reaction to who we’re teaching. On average, Generation Z-ers reach for their device every seven minutes during the day to check status updates, to read messages, to post comments, and so on. There are pedagogically worthwhile reasons for having students get their phones out during class for a range of activities. So rather than battling through lessons with students feeling twitchy because they’re desperate to look at their phones, free the phone instead.

To hear more, join my webinar on 24th and 25th August. I hope you’ll also feel comfortable in sharing your own experiences of digital and contributing ideas for making it work.

register-for-webinar

 


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Conveying Passion: Bringing Literature Into the Classroom

book literature blurred

Public domain via Pixabay

Amos Paran & Pauline Robinson look at some key principles to help you bring literature into the classroom ahead of their webinar on the subject on 13th and 14th July.

I have always found literature to be an extremely powerful tool in the classroom. Maybe it’s because of my own love of literature – maybe I managed to convey some of my passion. Maybe the fact that I love literature made me try out more interesting lesson plans – for example, I think that the lessons in which I taught or used literature were much more learner centred than other lessons.  I always felt that my learners enjoyed their literature lessons and we always had great discussions about important issues.

One important point to make about literature is the distinction between ‘teaching’ literature and ‘using’ literature. I always feel uneasy about these distinctions, but one thing that is always important is not to teach about the literature. The learners must be involved with it directly.

When I think back to my own lessons, or when I have observed other teachers use literature in their classroom, it seems to me that there are a number of principles that can make such lessons a success.

Principle 1: Teacher Engagement

The first principle is probably that teachers need to be engaged in the work that they are teaching – so the choice of the literature they are using or teaching is important. In some cases teachers have little choice about the piece that they are teaching – but some teachers then can use their negative reaction as a discussion point in class.

Principle 2: Appropriate Tasks

With some literary texts you can just plunge in; others will require more preparation. But the tasks that we construct are crucial in helping the learners make meaning with the literary texts and enjoying them. And by ‘tasks’ I don’t mean any activity or any discussion – I mean a focused activity for which there is a clear tangible outcome.

Principle 3: Relevance

Relevance refers to the connection between the learners’ lives and what is happening in the society around them and the literature that we use.  Many of the works I have used in secondary classrooms concerned the construction of identity and finding one’s way in the world – a theme of huge importance to my learners.  When I taught James Joyce’s Eveline in a secondary school, I had a young woman in my class who was going through the inner turmoil that Eveline goes through and ended up marrying in the last year of secondary school only to escape her home.  Obviously, the themes which the story was bringing up were relevant not just to her but to the other learners in the class.

We can also connect literature to history and to our society’s view of historical events. For example, on July 1st 2016 we commemorated the 100th anniversary of the beginning of the battle of the Somme, one of the bloodiest battles in history. Learners can be made aware of this through literary works from World War 1 by poets such as Wilfred Owen and Isaac Rosenberg, both of whom were killed in the war.

Supports going up after battle to relieve the soldiers in the front trenches.

Supports going up after battle to relieve the soldiers in the front trenches. Photo: National Museum via Flickr

 

Principle 4:  Student Choice

Outside the classroom we normally choose what we want to read; if we don’t enjoy what we read, we stop. In class this doesn’t happen often, although we know that ‘As students perceive that teachers respect them enough to provide genuine choices, students increase their effort and commitment to learning’ (Guthrie & Wigfield 2000: 412). If we provide a choice for our students – for example, by offering them a choice of three or four books from which they have to choose one that the class will study – we increase their investment in the class and create a space where the learners have a voice too. This choice can be extended to other areas too.

Principle 5: Continuous Support and Engagement

Learner engagement with literary texts is not something that is achieved miraculously on day 1 of class: like other areas in teaching, this is something that we need to work on continuously. For example, bringing in a short poem once a week and devoting five or ten minutes to reading or discussing it in class can sometimes be more effective than spending a long time on one piece and analyzing it in great depth. We need to move away from what I like to call ‘the tyranny of totality’, the idea that our learners have to know everything about the piece we are learning (or indeed, that we need to be absolute experts about it!) Literature is there to be enjoyed and experienced, and it can be experienced at many levels.

We will be discussing these principles in-depth, with examples from poetry and short stories, during our webinar on July 13 and 14.

 

Bibliography

Guthrie, J. T. and Wigfield, A. (2000) Engagement and motivation in reading. In P.B. Mosenthal, M.L. Kamil, P.D. Pearson and R. Barr (eds.), Handbook of Reading Research, Vol. III. Mahwah, NJ: Erlbaum. pp. 403-422.

Amos Paran started his professional career in Israel, where he taught EFL in secondary schools and trained teachers. His main areas of interest are literature in language teaching and the teaching of reading and he has published widely in this area.

Based for many years at the University of Reading, Pauline directed language courses and taught on the MA TEFL programme. She has taught on short courses for students and teachers in many parts of the world, especially in Europe and Asia.

 

 


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A Framework for Communicative Speaking

shutterstock_297003296Tony Prince is a NILE trainer and has been Programme Manager for Presessional and Insessional courses at the University of East Anglia. Today he joins us to preview his upcoming webinar, A Framework for Communicative Speaking, and discuss clear communicative speaking for ELLs. 

Opening digression – Problems and solutions

Often what we see as a problem in the environment, actually has its roots in ourselves.

‘I keep getting interrupted when I’m trying to work.’

Well maybe that’s because you’re afraid to say no when someone asks you for help, or to challenge an ‘urgent’ email that threatens to take hours out of your planned schedule.

Before you protest – explaining how ‘I really don’t understand your context’ – recognise that the beauty of you being the problem (and by you I mean we, including me), is that you are the solution as well.

You may not have control of your options, but you do have the power to choose. There is always a choice, no matter how limited.

To the point – Taking control

What does this have to do with Speaking?

Frequently when students express frustration with their speaking, they frame it as a problem with the environment.

‘People don’t give me time to think.’

‘My classmates don’t let me speak, they just talk.’

Some re-frame this as a problem with themselves:

‘I can’t think quickly enough.’

‘I don’t feel good interrupting other people.’

But few have the insight to see themselves as the cause and the solution:

‘I need to find ways to give myself extra time to think. I wonder what phrases I could use? Should I use gesture more? Maybe it’s my expression. Perhaps I need to make it more clear that I’m thinking.’

‘What is it about me that finds it so uncomfortable to interrupt others. Are there any methods that I could use which would feel easier for me?’

Most frequently, in conversations with students about issues they’re having with their studies, I have to try and get them to understand themselves better: to take more control over what they do and how they do it.

Me: ‘It seems to me, watching the conversations, that you’re happier listening. You don’t show any signs of frustration. You sit back from what’s being said.’

Student: ‘Really?’

Me: ‘That’s how it seems.’

Student: ‘Oh. So what should I do?’

Me: ‘Well why do you think you do that?’

Student: ‘I don’t know.’

Me: ‘Well I’d say that’s what you need to find out.’

Or with a lower level student

Me: ‘You watch people speak.’

Student: ‘Yes?’

Me: ‘Why?’

Student: ‘I think slow.’

Me: ‘Why no sound?’

Student: ‘Sound?’

Me: ‘Next time, watch other people. Listen! Tell me what sound. Also think. Why no sound you?’

This is a difficult approach – for both teachers and students to take. But one of the ‘Elephants in the room’ when it comes to communicative teaching, is that what we are encouraging is intensely personal. The issues that students have with communication are often rooted in their own character. Yet much though we may know our students as individuals few teachers are willing to ask students to reflect more about what it is about themselves that is preventing them from communicating, and to suggest that such reflection is at the heart of improvement.

The webinar

You may be wondering – finally – what this has to do with the webinar that I’m going to be conducting – ‘A Framework for Communicative Speaking’.

During this webinar I’m not going to be suggesting that teachers become psychologists, or even coaches – that’s for another blog post, and webinar.

The objective here is to set out a framework that can provide students with more choice in how carry out the speaking tasks in class. The framework organizes functional language around Bloom’s taxonomy, allowing students (and teachers) to vary the cognitive demands of the speaking they do.

The intention is to provide a resource that encourages student reflection on their speaking problems by providing them with more choice as to how they (and the teacher) structure a speaking task.

Reflection + choice (on how to respond to reflection) = improvement.

If you’d like to attend this free webinar with Tony, please click on the register button below.

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