Oxford University Press

English Language Teaching Global Blog


3 Comments

Task Based Learning: A Dynamo for 21st Century Learning

task based learningNowadays we live in an ever-changing global world in which global skills have become the essential skills of the workplace. Employers currently seek employees who have a positive attitude to life, who are adaptable, self-motivated and who are continuously motivated to grow and learn. In short, it seems that the global marketplace is looking for life-long learners who have a growth mindset. This being the case, it seems fitting to stop and ask ourselves whether our schools and educational systems are currently preparing our children for this complex and ever-changing reality, or if they are simply perpetuating a bygone 19th century educational model that is no longer capable of meeting our modern-day reality and needs. Sir Ken Robinson defends that:

“We have to go from what is essentially an industrial model of education, a manufacturing model, which is based on linearity and conformity and batching people. We have to move to a model that is based more on principles of agriculture. We have to recognize that human flourishing is not a mechanical process; it’s an organic process. And you cannot predict the outcome of human development. All you can do, like a farmer, is create the conditions under which they will begin to flourish.” (Robinson, 2010)

It seems that this message is being heard and taken on board, as many educational systems around the world have already begun taking the first steps towards bringing about this kind of radical long-lasting change into their schools and society by implementing UNESCO’s 4 pillars of education[1] or the OECD Pisa-Global Competence framework in their curricula. The OUP ELT expert panel recently defended in the Global skills: Creating Empowered 21st Century Citizens position paper: “Nowadays, teacher’s responsibilities typically cover not only the teaching of specific subjects but also the gradual inclusion of additional skills and competencies.”[2] (2019: p. 10). Thus, we teachers need to implement a 21st century learning framework in our classrooms which introduces a balanced learning approach. An approach that simultaneously promotes and develops the learning of subject specific content along with the 21st century global skills like Critical and Creative thinking, Communication, Collaboration, Intercultural, Citizenship and Digital skills, and finally, Emotional Regulation and Well-being.

Whilst all this makes perfect sense, teachers like you and me often find themselves a little lost when it comes to bridging the gap between theory and practice in our classrooms. Suzie Boss and John Larmer defend that Project Based Learning (PBL)is just the perfect tool to make this shift as:

Through academically rigorous projects, students acquire deep content knowledge while also mastering 21st century success skills: knowing how to think critically, analyse information for reliability, collaborate with diverse colleagues, and solve problems creatively. In the process of engaging with PBL, students learn to ask good questions, be resourceful, manage their time, meet authentic deadlines, and persist through challenges. When well done, PBL fosters self-management and self-directed learning.” (Larmer, 2018, p. 1)

Colleen MacDonell goes a step further and alerts us to the toll that a strictly academic programme can take on Young Learners by mainly focusing on their cognitive development in neglect of other essential components of how learning takes place with young learners, namely,  their innate positive dispositions like their constant curiosity and eagerness to learn. She supports the introduction of PBL in the YL classroom as:

…the project approach to teaching helps young children develop many positive habits of mind and behaviour: persistence in the face of a difficult problem, curiosity about new concepts, motivation to learn, cooperativeness, and even humour. … Early childhood education should include a conscious effort on the part of teachers to create learning environments and activities that allow children to practice and experience these desirable behaviours. (MacDonell, 2007, p. 4)

Want to try the PBL approach with your learners? Here are five absolutely essential characteristics that every good YL project should have.

Stem from a student-directed driving question.

 A meaningful project should always be born from a discussion between all the project stakeholders (the children, teacher, the school librarian etc.) that inevitably taps into the children’s natural curiosity. The teacher’s role is that of a guide or facilitator who helps the children discover what they are curious about and which overall driving question they want to find the answer to. This strong students’ voice is really what creates and drives a project!

 Be based on a meaningful topic that is connected to the real world

 One should never forget that children are not capable of abstract thinking skills. Thus, they will only be motivated to pursue a project that they can understand and immediately relate to in their everyday lives. Whilst this may appear to be obvious enough, it is a core principle which one may feel tempted to neglect in the face of rigorous programmes that supposedly prepare children for (state) exams.

 Be carefully scaffolded for various types of learners

 Carol Read (Read, 2007) reminds that a good YL lesson should be planned to “catch children at being good”. This is also true of an effective project. A good project should be designed so as to bring out and develop children’s natural talents and skills. This being said, it’s important to make sure that each child has been given a clear role within the actual project to guarantee that every child is innately motivated and deeply involved in the project’s execution.

 Be embedded with knowledge and skills

Although a good project is student-driven, it should also lead the children to develop the target knowledge and skills that they need to learn at a particular stage of their educational journey. Thus, a project’s driving should naturally be linked to the target content programme. One should also stress that a meaningful and effective project should be research-based and informed by multiple resources so that children are developing the global skills they will later need in the workplace from a young and tender age.

Conclude with a viable end project

 Bloom’s revised taxonomy alerts us to the importance of developing the Higher Order Thinking Skills (HOTS) in the classroom rather than stopping at the Lower Order Thinking Skills (LOTS). Thus, it is natural that a successful project should come together in an end product which reflects the final result of the students’ learning process. It is important to stress that this final product should be simple and doable as the objective is to motivate children to learn rather than to burden them with an unrealistic end project which is an unnecessary source of stress for all the stakeholders involved.

So, when all is said and done, what exactly is the secret of a good project? Well, like so many things in life, it should follow the KISS approach to learning:

Keep

It

Sweet and

Simple!


Join me in January 2020 for a webinar designed to help you make project-based learning a fun and engaging learning experience. See you then


Vanessa Reis Esteves has been teaching EFL in Portugal for the past 23 years and is currently teaching at Escola Superior de Educação where she teaches English for Academic purposes and English methodology. She has taught both in private and state schools. She holds a Master’s degree in Anglo American studies and is involved in teacher training in countries such as Saudi Arabia, Kazakhstan, Kyrgyzstan, Azerbaijan, Serbia, Romania, Turkey, Croatia, Slovenia, Malta, Portugal and Egypt. She presently writes course material for EFL students and has recently written ETpedia: Young Learners with practical ideas on teaching YLs for Pavilion Publishing in the UK. Her areas of interest are teaching YLs, (Pre)Teens as well as Critical Thinking and 21st Century skills.

 


Bibliography

Larmer, S. B. (2018). Project based Teaching, How to Create Rigorous and Engaging Learning Experiences. Novato: ASCD Learn.

MacDonell, C. (2007). Project-Based Inquiry Units for. YoungChildren, First Steps. to Research for Grades Pre-K-2. Worthington: Linworth Books.

Read, C. (2007). 500 Activities for the Primary Classroom, Immediate Ideas and Solutions. Thailand: Macmillan Books for Teachers.

Robinson, K. (2010). Bring on the Educational Revolution. https://www.ted.com/talks/sir_ken_robinson_bring_on_the_learning_revolution.

[1] For more information, consult: https://unesdoc.unesco.org/ark:/48223/pf0000109590

[2] This report can be fully downloaded here: https://oxelt.gl/2nIJ32Y


Leave a comment

Combining the Four Cs | ELTOC 2020

Here we’ll discuss the role of creativity, critical thinking, communication and collaboration in the English language classroom, and suggest some practical ideas for giving students a challenging new take on these familiar concepts.

Global Skills

Life in the twenty-first century can be complex and stressful. Many of the interpersonal and interactive skills that we need in our everyday lives – things such as digital literacies, intercultural competence, and emotional self-regulation – have not always been formally taught in schools. The movement to embrace Global Skills in education is now looking to change that.

OUP’s Position Paper on Global Skills is a concise guide for empowering students inside the classroom – and beyond. It acts as a guide for teachers who would like to help equip their students with strategies for dealing with the challenges and opportunities of twenty-first century life.

From Four Cs to five skills clusters

Global Skills include Communication and Collaboration and Creativity and Critical Thinking as two of the key skills clusters, and these are concepts which will already be familiar to anyone who is acquainted with the Partnership for 21st Century Learning, in which they were grouped together as Learning Skills and referred to as The Four Cs.

OUP’s Global Skills are made up of five distinct skills clusters. If you would like to know more about the other three skills clusters of Global Skills – which are Intercultural Competence and Citizenship, Emotional Self-Regulation and Wellbeing, and Digital Literacies – see the OUP Position Paper.

Fresh perspectives

The skills of communication, collaboration, creativity and critical thinking are as important as ever, not only because they can have a positive impact on language proficiency, but also because they can be applied to the challenges of everyday life.

Communication and Collaboration

Why are they grouped together in Global Skills?

Learning to communicate involves being able to negotiate meaning – something which requires interacting with another person or people. And when we collaborate with someone else, both in the classroom and in real-life contexts, there is usually communication involved. The two skills therefore connect, and can very often be dependent on each other.

Pairwork and groupwork

The easiest way to generate conditions for collaboration is to get students to work together in pairs or in small groups. In order to ensure that there is communication as well, students need to share or exchange ideas in some way. Let’s look at a simple example.

Recalling an image

Show students the image below and ask them to pay attention to the small details. (Image source: Oxford Discover Futures, SB1, p86)

After about thirty seconds, remove the picture from view and get students into pairs. Thirty seconds is not very long, which means that students will probably have only a partial memory of the poster. Ask them to work together and recall as much as they can. Ask if they can remember:

  • the words on the poster – and the colour of each word
  • the shape of the figure – and what each ‘body part’ consists of

Some students are more observant than others – but the ones who remember the most do not always have the English with which to express all the information. For this reason, it is likely that students will use L1 to negotiate the answers to the prompts as they gather the English words that they need in order to complete their lists.

Communication and collaboration in action

This simple task mirrors real-life situations in which we need the help of someone else in order to piece together information and fill in the gaps with our own knowledge. The transfer of information is ‘communication’. The pair work is ‘collaboration’. Students help each other as they complete the task, while also checking each other, and correcting each other, as appropriate. Communication and collaboration go hand in hand.

Creativity and Critical Thinking

Why are they grouped together?

Creativity is the art of thinking – it is based on inspiration, intuition and subjective expression. Critical thinking is the science of thinking – it is based on reason, analysis, and evidence-informed judgements. As skills, they are complementary aspects of thinking outside the box, whether that involves coming up with something new, or seeing something that others have missed. Again, let’s take a look at a simple example.

Comparing posters

Show students all four of the posters related to diet shown below. (Image source: Oxford Discover Futures, SB1, p86)

Now give them the following statements to discuss. Ask them to express their ideas, listen to each other’s views, and then try to reach an agreement, by modifying the statements, if necessary.

  • the posters have nothing in common
  • the posters appeal to emotions, not intellect
  • the posters are intended for children
  • the most effective poster is poster ____
  • the least effective poster is poster ____

Finally, ask them to come up with a new poster of their own, designed to raise awareness of the importance of a healthy diet.

Creativity and Critical Thinking in action

The prompts above do more than check students’ comprehension of the posters; they engage their critical faculties, too. The statements are likely to be divisive, and students might well disagree with each other. Establishing the truth of what they can agree on will require negotiation and compromise, as well as creative recasting of some of the statements. Most interestingly, students will have to consider whether they want to change their initial beliefs in the light of information received from others. That is the kind of critical thinking that can be reached through communicative, collaborative classroom processes.

The final task – the design of a new poster – is an example of a creative task that extends naturally out of the tasks that have preceded it. The task combines language skills and non-language skills, so all students have a chance to make a meaningful contribution. Done collaboratively, it will generate further opportunities for communication, collaboration and critical thinking, too.

Double duty

We don’t need extra lessons to teach global skills, nor do we need to separate language skills from global skills. The activities above demonstrate that the learning tasks of the classroom can be asked to perform double duty: to generate opportunities to practise language and to develop students’ global skills.


ELTOC 2020

I hope this is useful. I’ll be expanding on this in my upcoming session at ELTOC 2020. I look forward to seeing you there!


Edmund Dudley is a teacher trainer, materials writer and teacher of English with more than 25 years of classroom experience. Based in Budapest, he has extensive experience of teaching EFL at both primary and secondary levels. He works with teachers from around the world as a freelance teacher trainer and as a tutor at the University of Oxford’s ELT Summer Seminar. He is the author of ETpedia Teenagers (2018, Pavilion Publishing) and co-author of Mixed-Ability Teaching (2015, Oxford University Press).

 


Leave a comment

Find your learner’s reading level | Andrew Dilger

Find your reading level

I have a question for you. Do you know your learners’ reading level in English – I mean, really know it? If your learners are halfway through an A2 coursebook, does that mean their reading level is A2-and-a-half?! The cautious ones among us would say ‘Not necessarily’; the bold ones would say ‘No’. But in an age when efficacy and assessment is all the rage in ELT, plenty of pressure is put on the teaching community (by itself, parents, and other stakeholders) to measure learners’ language skills accurately – down to the nth degree, in fact.

 The dark art of testing

Measuring reading level has always been something of a dark art, or at least a shadowy discipline. Part of the problem is that, as a receptive skill, it seems to take place inside learners’ heads. We can test comprehension, of course. And how we love to test it – with questions, gapfills, clozes, and multiple-choices, all of which require learners to skim and scan until they go cross-eyed! We often enjoy testing comprehension so much that we squeeze the life out of a text. It’s a wonder we don’t put learners off reading in English altogether.

There are other factors at play, of course – short attention spans in a fast-paced, device-driven world compromising the appeal of ‘deep reading’ is one of them, but that’s an easy target. The main issue is that most learners aren’t reading the right texts for them, and not in the right way.

Reading improves all-round ability

If learners want to improve their reading level – and benefit their all-round ability in English – then it’s vital we help them discover how to do this. And don’t just take my word for it. Research by luminaries like Richard Day and Paul Nation has suggested this for years. There are massive gains to be made by learners reading a lot in English – reading extensively for interest and pleasure. For more on this, see this article from El País (use Google Translate if your Spanish is rusty or non-existent).

Reading fluency over reading comprehension

So let’s go back to the question: Do you know your learners’ reading level? The important thing to appreciate is that I’m talking about reading fluency here. Can they read a text connectedly and understand the majority of words?

Most publishers have an online test which claims to tell learners their reading level. Take the Macmillan Readers Level Test, for example. In actual fact, it’s a series of grammar and vocabulary sentences with multiple-choice options, i.e. it doesn’t test reading fluency at all. It features prompt pictures for all the items but most are decorative rather than functional. In addition, some of the sentences are unnatural or misleading, e.g. I’ve got an ache in my throat; Did you hear the thunder last night? with the prompt picture showing lightning. The maximum level the test can give is Upper Intermediate and, if you retake it, the questions and options are all in exactly the same order… so you can improve instantly by virtue of having done the test already.

A tool instead of a test

Here at OUP we’ve come up with something different and something new. And we’d like you and your learners to decide how useful it is. For a start, we’re not calling it a test – it’s a tool. A semantic difference perhaps, but an important one. This isn’t a grammar check based on a random text, but something which genuinely attempts to gauge how fluent learners are at reading a page of a published story.

How does it do this? With a disarmingly simple innovation. Learners themselves decide whether they know the meanings of the words or not. They also decide whether a page of a story at a certain level is ‘Too easy’, ‘Too difficult’, or ‘OK’. This is known as the Goldilocks Principle and is common in cognitive science and developmental psychology.

‘But students will cheat!’ I hear you cry. If they do, they’re only cheating themselves because they’ll be shown a range of stories at the wrong level. It’s like buying clothes – why would you choose trousers which are two sizes too big if they fall down round your ankles? Instead, what learners need is something that ‘fits’ – something that’s right for them at that stage in their development. This means being able to read confidently at a comfortable level.

What’s the point?

After all, the point of learners finding their reading level isn’t so they can brandish it on a certificate or boast about it on social media. The point is to open up a world of texts, stories, and information which they will find digestible and rewarding – even life-changing.

If YOUR learners want to find their reading level in English, they can try our new tool here. Why don’t YOU try it, too? It’s free and takes less than 10 minutes. Because it’s a beta version, we’re also interested in getting feedback about ways to improve it, so please ask your learners to complete the survey too. Happy reading!                      

Find your reading level button

 


Andrew Dilger is a Managing Editor at Oxford University Press. He has been involved in English language teaching as a teacher, trainer, and editor for over a quarter of a century. He is passionate about the power of reading and claims to have read something every day of his life since he first went to school.


Leave a comment

5 Easy Ways to Nurture Imagination and Creativity in the Classroom

young learner using a puppet in the classroomEnter the world of a young child. What might you discover? Young children squeal with delight at surprises. They love to use their imaginations. They easily become animals, princesses, firefighters, doctors, and more! How can we as English teachers build English language skills while nurturing our young learners’ creativity and imaginations? Let’s explore some classroom strategies and activities that successful teachers of young learners use.

1. Classroom songs and chants

Listen to a classroom of young learners. Songs and chants can be heard throughout the day. Let’s consider using a song for a warm-up activity. What kinds of songs or chants work best with young learners? One of the things I look for in a song or chant is a simple pattern. For example, consider this well-known children’s game song, “Looby Loo.”

Here we go Looby Loo. Here we go Looby Light.

Here we go Looby Loo, all on a Saturday night.

We put our hands in. We put our hands out.

We give our hands a shake, shake, shake,

and turn ourselves about, OH!

In this song, the children hold hands while walking around in a circle. For my Japanese students, the song gets their ears ready to hear the /l/ sound that’s not present in their language. The song is cheerful and uses movement that gets children’s bodies warmed up for class.

After children have learned a song, patterns invite them to add their own ideas. What can we change? We could focus on body parts. Children enjoying thinking of a new body part with each repetition. To guide thinking, you can give a child a bilateral choice: Should we move our legs (move your legs) or our fingers (wiggle your fingers)? After a few repetitions, children may be able to name a body part independently.

Sing the song at the next class but add something new. We could change the way we “go” around the circle. Children choose new verbs, such as jump, hop, march, tiptoe, run, skip, gallop, etc. Make it more interesting by changing your voice, speeding up the song, or slowing it down.

Giving children choices nurtures their creativity and encourages output.

2. Creative movement

As I mentioned with music, young learners love to move. There are so many ways that we can add movement to our classes for children.

TPR (Total Physical Response) invites children to respond to movement commands. Using movement in a song as mentioned above is similar. Students hear the words, watch the movement, and move to the words.

Some movements are easy to do in one place, such as clap your hands, pat your legs, stomp your feet, touch your toes, wave your arms, wiggle your fingers, nod your head, blink your eyes, shake your hair, bend your knees. Some movements can be done around a circle or in an open classroom space, like the ones mentioned in Looby Loo.

Children can use their imaginations to move in so many different ways. They can pretend to be animals, Halloween characters, or their favourite storybook character. Using simple props makes it even more interesting.

3. Puppets and stuffed animals

Engage your children’s imaginations by making puppets or stuffed animals a regular part of your English lessons. Practice in front of a mirror to make your puppet appear more life-like. I just introduced my new hedgehog puppet to my kindergarten class. I invited my students to give him a name. They chose “Harry.” Harry comes to class every week. Your puppets can lead an activity, join in a game, read a book, or be part of a conversation. They are often just what you need for your shy students.

4. Hands-on classroom learning

What else can we bring into our young learner classroom? Use your imagination! Real items can be used in numerous ways. Thinking of unusual ways to use items makes learning fun while nurturing your students’ creative thinking.

For example, beanbags can be used to practice colours and play games, but we can use them for imaginative chants, too. Scarves can be used to toss in the air. Pretend that they are leaves, a flower, or the wings of a butterfly. Asking yourself if there’s another way to do something will lead you to new creative choices.

5. Books

Children’s stories can be used in many ways with young learners. Most children’s books have beautiful illustrations, a perfect tool for teaching new vocabulary. Board books often have some type of interactive features that make reading even more interesting.  

 

Come and discover the magic!

In my webinar, I shared strategies and activities that you’ll be able to use immediately in your very young learner classroom. I modelled ways in which you can enter the world of imagination and develop language. Join me for an active session of songs, chants, creative movement, puppets, scarves, beanbags, children’s stories, and more!

Watch the recording

 


Kathleen Kampa specializes in working with young learners. As a PYP (Primary Years Program) teacher, she uses an inquiry-based approach to teaching through which students develop 21st Century skills. Kathleen uses multiple intelligences strategies to help all students find success. She also builds English language skills by creating songs, chants, and movement activities targeted to children’s needs. Kathleen and her husband Charles Vilina are co-authors of Magic Time, Everybody Up, and the ELTon award-winning course, Oxford Discover, published by Oxford University Press.


7 Comments

5 English Teaching apps for 21st Century ESL Teachers

Language learning no longer stops when students leave the classroom.

Smartphones allow language learners to carry the entire English language around with them in their pocket, soaking up new vocabulary through music, video, games, and social media.

A new wave of apps have launched designed specifically for those teachers and students keen to harness their mobile devices to create more structured and comprehensive learning experiences outside of the classroom. Make sure you have the latest! Here are 5 essential apps from Oxford University Press that you and your students need to download.

 

  1. Say It: English Pronunciation – Hear the Oxford English model, see the soundwave, then record and compare your pronunciation. Comes with 100 free British English words, 4 tests and 12 sounds, taken from the best-selling English File course and Oxford’s dictionaries. It’s quick, effective and fun to use.

Available on iOS

Available on Android

 

  1. LingoKids – A learning app for students from 2 to 8 years of age, for learning English in a fun, playful way. In Lingokids you’ll find the best English songs for children, the most fun videos with its characters, audiobooks, and printable worksheets for each topic, interactive exercises, and an endless supply of activities to learn over 3,000 words in English. Here are 10 ways you could use LingoKids with your students. If you’re using Mouse and Me, Jump in! or Show and Tell, you can access course content on the app using your coursebook!

Available on iOS

Available on Android

 

  1. Oxford Collocations Dictionary – Perfect for your learners that need to improve their accuracy and fluency, enabling them to express their ideas naturally and convincingly whether spoken or written. The Oxford Collocations Dictionary has over 250,000 word combinations, all based on analysis of the Oxford English Corpus.

Available on iOS

Available on Android

 

  1. Oxford Advanced Learner’s Dictionary – a digitised edition of the Oxford Advanced Learner’s dictionary that has already helped 100 million English language learners worldwide. This app shows learners what words mean, learn how to say them with high quality audio, and know how to use them in example sentences.

Available on iOS

Available on Android

 

  1. Practical English Usage – Practical English Usage is a world bestseller and a vital reference tool that helps teachers and higher-level learners with common language problems in English. Practical English Usage Fourth Edition is now available as an app, making it quicker and easier to look up the 600+ entries!

Coming soon for Android and iOS devices.

 

Extra apps that are worth exploring.

  • YouTube Kids – YouTube Kids is a safer and simpler way for kids to explore the world through online video – from their favourite shows and music to learning how to build a model volcano, and everything in between. There’s also a whole suite of parental controls, so you can tailor the experience to your family’s needs.
  • TinyTap – TinyTap offers the world’s largest collection of educational games, all handmade by teachers. If you can’t find what you’re looking for…create it yourself! On TinyTap, anyone can turn their ideas into educational games (without having to code) and share them with the world.
  • Google Expeditions – This is a virtual reality teaching tool that lets you lead or join immersive virtual trips all over the world — get up close with historical landmarks, dive underwater with sharks, even visit outer space! Built for the classroom and small group use, Google Expeditions allows a teacher acting as a “guide” to lead classroom-sized groups of “explorers” through collections of 360° and 3D images while pointing out interesting sights along the way. Instant, personalised audio-visual feedback will help your students identify precisely what they need to improve. They can even share the recording and the soundwave image of their pronunciation with you via email, directly from the app.
  • Flipgrid – Flipgrid helps learners of all ages find their voices, share their voices and respect the diverse voices of others. Educators spark discussions by posting Topics to a classroom, school, professional learning community, or public Grid. Students record, upload, view, react, and respond to each other through short videos. Flipgrid empowers student voice and builds global empathy through shared learning processes, stories and perspectives.

Interest in Mobile Apps for English Language Teaching?

Read Nik’s Focus Paper on Mobile Apps for English Language Teaching for more practical tips on mobile learning and useful apps for the ELT classroom!