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12 Student-Pleasing Activities Using Graded Readers

children reading graded readersReading can be a challenge for students learning English. Therefore, starting with graded readers for extensive reading lessons can be a very good option. This way, the student will learn new vocabulary in a meaningful context and improve their language skills. Having an extensive reading program can also help students become independent readers.

A reading program may consist of three stages: pre-reading, while reading and post-reading. Here are some activities that you may find helpful in implementing graded readers in your lesson plans.

Pre-reading

1. Word Detective

Before you begin reading any of the graded readers with your class, choose a sentence that can be a message for your students. This can be as simple as ‘Reading Is Fun.’ Find these words inside the books and note down the name of the book and the page that the word is on. Show students the sentence without the words, using only lines.

For example, _ _ _ _ _ _ _ / _ _ / _ _ _.

Ask students to check their book(s), depending on how many graded readers you are going to read in class, and to try to find the words. You can help them by saying that ‘The second word is an auxiliary verb’, or ‘The first one starts with ‘R’.’ They can work in pairs, which will help them to work on their communication and collaboration skills. The students can also gain a general understanding of the book they are going to read. It will be even more fun when they come up with their own sentences.

2. Find the characters

Before you start reading your book, in order to generate curiosity, ask students to go through the pages of the book and search for proper names. How many can they find? Ask them to guess who these people might be. Ask them to take notes of the answers they give. When they finish reading the book, they can then see if they can guess who these characters are.

 3. Guess the title

Show the cover of the book to the students but hide the title. Ask them to guess the title of the book. Talk about the various answers they give and why they gave that answer.

 4. Match the title

Ask students how many types of book genres they know. If they are not ready to answer you can elicit. You can also ask them to search for different literary genres online before your lesson. You can say that Sherlock Holmes Short Stories belongs in the crime and mystery genre, Dracula is a horror story, and Alice’s Adventures in Wonderland is a classic fantasy story. They can add more to these examples. Talk about each genre to understand if each of them means the same to all. Write some examples of different genres on the board then write the titles of the graded readers that you are going to read and ask them to match with the genres. They need to try to guess the genre of the book just by looking at the title. After reading, you can discuss if they are right.

While reading

5. Take a selfie

When your students start reading their books, ask them to take a selfie while they are reading. They can get as creative as they want. Then, create a class, or even a school, exhibition and share the photos for everyone to see. Seeing other people’s photos in which they enjoy reading may be inspiring for those who do not find reading ‘cool enough’. You can also share these photos on a classroom blog or school website. If you are teaching online, every student can use the photo they take as their profile picture.

6. Word Clouds

Choose some words from the next chapter and add them to a word cloud tool online (there are many free online options, here is one example). Add some words that they will encounter in the next chapter and make a word cloud. Ask them to guess what might happen next. After they finish reading the chapter, they can see if they are right about the story that they come up with by only looking at the words in the word cloud.

 7. Horoscopes

Before moving on with the next chapter, students can write horoscopes for each character in the book and predict what will happen next. Since the students may not be familiar with horoscopes, you may need to clarify what a horoscope is first. You can share some examples of horoscopes that you can easily find online. They can think about what sign these characters are. You can divide the classroom into teams and give each team one character to write horoscopes for. They can then compare their tasks and, after reading the chapter, you can have a class discussion on which team is the closest to the correct answer.

 8. Tell me what you see

This activity is for the books that have illustrations in them. Ask students to work in pairs. One student will explain what they can see in the illustration for the chapter you are about to read, and the other will try to draw a picture while listening. They then try to guess what that chapter is about.

Post-reading

9. Write a play

After students finish reading the reader, in groups they can write a playscript of the book and act it for their classmates. They can revise the grammar structures you have been working on and add new characters if they want.

10. Act a scene

After you finish reading the book as a class, you can discuss what the best part was for the students and why. Ask the students to work in pairs or groups and choose a scene from the chapters and act that scene. You can differentiate this activity by asking the students to act the scene without speaking. They will only use gestures.

11. Pose the scene

For this activity, you need to describe some important scenes very briefly from the book on small pieces of paper. Divide the classroom into as many teams as the number of scenes you have written. Put the papers in a bag and ask each group to choose one. The students should decide quickly how to organize for the scene and pose like it as if somebody is taking a photo of it. The others will guess which scene it is and what happened. When everybody finishes posing, they can decide the order of the different scenes.

12. Roleplay

Ask students to write a brief description of one of the characters. You can also nominate a character to each student. The description may include age, occupation, Zodiac sign, hometown and anything that you think is relevant. Students then work in pairs and ask and answer questions according to the role-play cards. You can turn this into a kind of a gala event where all the characters meet each other and talk. There may be 2 or 3 of the same characters, which may add more fun!

Bonus! – Your students are more likely to develop a habit of reading when they see you reading. Read along with your students, carry the book that you are currently reading, talk about it with your students and you will see this will have a positive impact on them.

 


Aysu Şimşek is a passionate advocate of continuing professional development. After graduating from Istanbul University with joint honours in American Culture and Literature with Theatre Criticism and Dramaturgy, she embarked on her own teaching career. She has a distinctive experience with young learners, and now in her role with Oxford University Press, Aysu meets and supports teachers from across Turkey and is an active member of a global community of dedicated educationalists. She has delivered training sessions for different types of ELT events, and co-written articles for Modern English Teacher magazine and TEA Online Magazine.


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5 reading activities for parents to do with kids at home

parent and child reading together at homeWith schools closed because of the COVID-19 pandemic, parents (and close family members) need to keep their children learning and entertained at home. Reading stories helps children practise English in an entertaining way. To begin with, show your child several storybooks. Ask them to choose the one they want to read.

Note: allowing your child to choose the story helps spark their interest and make them curious. Put simply, ‘Choice’ makes your child feel motivated and empowered.

1) Talk about the front cover (with a new story)

Have your child look at the front cover. Say things like this:

Can you read the title?

What can you see in the picture?

What do you think this story will be about?

Let’s start reading and see if you’re right.

Note: the important thing is for your child to imagine what will happen in the story, not for them to give the ‘correct’ answer!

2) Take it in turns to read (with a new story)

Say, ‘Can you read the start of the story?’ Let your child read. Let them decode the pronunciation as they go. If they have problems, say ‘Use phonics to work it out.’ Point to the beginning sound, the middle sound, the end sound, and prompt if necessary. If a word is non-decodable, point this out, and model the correct pronunciation of the whole word.

Then say, ‘Shall I read now?’ (Read in a dramatic voice while your child follows the words with a finger.)

Note: with reluctant readers, start reading yourself and ask your child to read one line on the first page, two lines on the next page, and so on.  With a child is skilled at reading, this process will probably not be necessary.

3) What happens next? (with a new story)

While you are (or your child is) reading, stop at the end of a page and ask: ‘So what do you think happens next in the story?’ before you turn to the next page. Let your child give their ideas. Give positive feedback. ‘Really? That’s a good idea.’ Then say, ‘Shall we see what really happens next?’ and continue the story.

Note: revisit your child’s guesses later to see which ideas were close to the actual story. When your child guessed closely, point this out, and praise them.

4) Talking about the pictures in the book (with a new story)

Ask your child to look at a picture in the book. Ask, ‘What can you see in this picture?’ To encourage your child to speak at length, ask extra questions like: ‘What’s this on the left/right?’ ‘What can you see at the top/bottom of the picture?’ ‘What’s that in the background? / What’s this in the foreground?’ ‘What do you think happened just before this picture?/What’s going to happen just after it?’

Note: If you like, before you read a story, do a ‘picture walk’. This means asking your child to describe what they think is happening as you go through the book looking only at the pictures. Again, it’s not important for your child to get the ‘correct’ answer. Good readers naturally hypothesize well, poor readers need help (some prompt questions maybe?) and a lot of practice to get good at hypothesizing. While doing a picture walk, check/teach words which your child spots in the pictures that are important in the story.

5) Talking about the whole story (with a story your child has just read)

Once your child finishes reading a story, talk about it together. Ask these questions:

Who is your favourite character in the story? Why?

Which is your favourite part of the story? Why?

Would you like to be in the story? Why?/Why not?

If your child likes drawing, have them draw: their favourite character, their favourite part of the story, them in the story. Once they finish, stick the drawing on the wall with Blu-tack, on a bulletin board with drawing pins, or on the fridge with fridge magnets. Ask your child to point to things in their drawing and describe these to you.

 

Please visit our Learn at Home page for more resources and activities to help teachers, parents and students get the most out of learning at home.

Learn at Home

 


Bill Bowler is a founder series editor, with his wife, Sue Parminter, of Dominoes Graded Readers (OUP). He has authored many readers himself. He has also visited many countries as a teacher trainer, sharing ideas about Extensive Reading. Bill has contributed to the book Bringing Extensive Reading into the Classroom (OUP). Two of his Dominoes adaptations (The Little Match Girl and The Sorcerer’s Apprentice) were Language Learner Literature Award Finalists. Born in London, he now lives in Spain.


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The Jungle Book becomes our 100th Domino! | Alex Raynham

Jungle Book graded reader among other copies of the Jungle BookTo mark the publication of the 100th Dominoes graded reader − The Jungle Book by Rudyard Kipling − the author Alex Raynham talks about the challenges of adapting such a classic title and gives some advice about classroom use.

When Rudyard Kipling wrote The Jungle Books (originally plural) in the mid-1890s, he was the most popular author in the English-speaking world, and his stories became an instant classic. The Jungle Books have stood the test of time, appealing to successive generations of readers and appearing in many print, movie, and theatrical adaptations. The characters of Mowgli, Baloo the bear, Bagheera the panther, Kaa the snake and Shere Khan the villainous tiger have become part of popular culture. No wonder then that Oxford University Press has produced so many different versions over the years!

How do you adapt a classic story?

The biggest challenge was how to adapt and simplify a story that has become such a well-known classic, whilst keeping it fresh and entertaining. The original Jungle Books are a diverse collection of stories over 300 pages long. In contrast, a Level 1 Dominoes cartoon-style reader has only 27 pages of story text and is about 3,000 words − so careful text selection was required. We decided to focus on the stories in The Jungle Books, which concern the adventures of Mowgli and his friends and exclude any stories unrelated to them. We then tried to focus on key events that moved the stories forward and contributed to our understanding of the main characters.

After that we made a detailed plan of each page of the story, deciding what artwork and text to include in each ‘frame’ on those pages. Each piece of text needed to be short enough to leave plenty of space for artwork, so the wording needed to be precise. Every sentence had to contribute to the overall story. In addition, each chapter needed to end with some kind of cliffhanger, motivating learners to read on and find out what happens next.

Staying true to Kipling’s vision

The original Jungle Books are witty, captivating and descriptively rich. Kipling sets the scene and paints the characters beautifully. So one big issue with the adaptation was how to stay true to the spirit of the original story when a Level 1 Dominoes reader only has A1 grammatical structures and a wordlist of just 400 headwords. One way to do this was to preserve Kipling’s ‘voice’ as much as possible. Using plenty of direct speech helps with this, and we’ve also kept some of Kipling’s original phrases: for example, ‘man cub’ − the way that Mowgli’s wolf family describe him as a child.

Why a comic strip?

A comic strip is ideal for many readers at A1 level − particularly titles which contain rich settings and many different characters, such as The Jungle Book. It helps to introduce new vocabulary, and descriptions of the characters and settings can be supported by the pictures, making them easier to visualise at this level. A comic strip also helps the teacher to use each chapter in a variety of ways in class. For example:

  • Illustrations help the teacher to pre-teach vocabulary or reinforce it after reading.
  • All or part of some speech bubbles can be blanked out, and learners can be asked to reconstruct or predict the dialogue.
  • The teacher can photocopy a page of the story and cut up the pictures, then rearrange and scan them, asking learners to put them in order. This can be done on the IWB as a pre-reading prediction activity, or as a post-reading story review.

Supporting learners’ reading without breaking the flow

It’s probably true to say that the less we intervene, the more learners get out of extended reading. We need to motivate learners by giving them a sense of achievement through being able to read and understand an extended narrative pretty much on their own. But we also want to make sure that learners are actually understanding the story and getting the most out of it. So we’re playing the role of facilitator– encouraging students and giving them space, but also directing them to the resources contained in the books.

The meaning of above-level vocabulary is given on the page in Dominoes titles, allowing the learner to read on without getting stuck. For example, in The Jungle Book, we gloss the word ‘cub’ so that learners can understand ‘man cub’. It’s important to direct them to these Glossary words when needed without interrupting their reading by focussing too much on them.

Using activities to support learning

The Activities after every chapter can be used to facilitate class discussion about the story and recycle new vocabulary, but we should avoid the temptation to check that learners remember every detail. Using the ‘Guess What’ predictive activities in these sections is a good way to get learners thinking about the plot and what might happen next without the pressure to get any answers right.

End-of-book Grammar Check activities are designed to support learners when reading each particular title. For example, in The Jungle Book, one focus is irregular plurals nouns like ‘deer’, ‘buffalo’ and ‘teeth’! Using the Projects at the back will also help learners to relate what they’ve read to their experiences and the wider world. For example, in The Jungle Book, they’re asked to write a profile of one of four animals in the story, based on a model: Bengal tiger, wolf, black panther or brown bear.

It’s easy for students to get to the end of a graded reader, then forget about it. But in L1, we talk about good books that we’ve read with friends and think about them long after we’ve turned the last page. So it’s vital to try and reflect this both inside and outside the classroom.

 

Looking for something new to support your learners’ reading skills? Try these ready-to-use activities from our brand new graded reader!

Download your sample of The Jungle Book

Download the Activity Pack

 


Alex Raynham grew up in New Zealand and the UK before graduating from Oxford University. He was an ELT teacher in Italy and Turkey and later became an editor with Oxford University Press. Today he is a freelance author, editor and ELT teacher trainer based in Turkey. He has written over 20 ELT titles, including more than ten graded readers for Oxford University Press, and spoken at conferences throughout Turkey and abroad.


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Find your learner’s reading level | Andrew Dilger

Find your reading level

I have a question for you. Do you know your learners’ reading level in English – I mean, really know it? If your learners are halfway through an A2 coursebook, does that mean their reading level is A2-and-a-half?! The cautious ones among us would say ‘Not necessarily’; the bold ones would say ‘No’. But in an age when efficacy and assessment is all the rage in ELT, plenty of pressure is put on the teaching community (by itself, parents, and other stakeholders) to measure learners’ language skills accurately – down to the nth degree, in fact.

 The dark art of testing

Measuring reading level has always been something of a dark art, or at least a shadowy discipline. Part of the problem is that, as a receptive skill, it seems to take place inside learners’ heads. We can test comprehension, of course. And how we love to test it – with questions, gapfills, clozes, and multiple-choices, all of which require learners to skim and scan until they go cross-eyed! We often enjoy testing comprehension so much that we squeeze the life out of a text. It’s a wonder we don’t put learners off reading in English altogether.

There are other factors at play, of course – short attention spans in a fast-paced, device-driven world compromising the appeal of ‘deep reading’ is one of them, but that’s an easy target. The main issue is that most learners aren’t reading the right texts for them, and not in the right way.

Reading improves all-round ability

If learners want to improve their reading level – and benefit their all-round ability in English – then it’s vital we help them discover how to do this. And don’t just take my word for it. Research by luminaries like Richard Day and Paul Nation has suggested this for years. There are massive gains to be made by learners reading a lot in English – reading extensively for interest and pleasure. For more on this, see this article from El País (use Google Translate if your Spanish is rusty or non-existent).

Reading fluency over reading comprehension

So let’s go back to the question: Do you know your learners’ reading level? The important thing to appreciate is that I’m talking about reading fluency here. Can they read a text connectedly and understand the majority of words?

Most publishers have an online test which claims to tell learners their reading level. Take the Macmillan Readers Level Test, for example. In actual fact, it’s a series of grammar and vocabulary sentences with multiple-choice options, i.e. it doesn’t test reading fluency at all. It features prompt pictures for all the items but most are decorative rather than functional. In addition, some of the sentences are unnatural or misleading, e.g. I’ve got an ache in my throat; Did you hear the thunder last night? with the prompt picture showing lightning. The maximum level the test can give is Upper Intermediate and, if you retake it, the questions and options are all in exactly the same order… so you can improve instantly by virtue of having done the test already.

A tool instead of a test

Here at OUP we’ve come up with something different and something new. And we’d like you and your learners to decide how useful it is. For a start, we’re not calling it a test – it’s a tool. A semantic difference perhaps, but an important one. This isn’t a grammar check based on a random text, but something which genuinely attempts to gauge how fluent learners are at reading a page of a published story.

How does it do this? With a disarmingly simple innovation. Learners themselves decide whether they know the meanings of the words or not. They also decide whether a page of a story at a certain level is ‘Too easy’, ‘Too difficult’, or ‘OK’. This is known as the Goldilocks Principle and is common in cognitive science and developmental psychology.

‘But students will cheat!’ I hear you cry. If they do, they’re only cheating themselves because they’ll be shown a range of stories at the wrong level. It’s like buying clothes – why would you choose trousers which are two sizes too big if they fall down round your ankles? Instead, what learners need is something that ‘fits’ – something that’s right for them at that stage in their development. This means being able to read confidently at a comfortable level.

What’s the point?

After all, the point of learners finding their reading level isn’t so they can brandish it on a certificate or boast about it on social media. The point is to open up a world of texts, stories, and information which they will find digestible and rewarding – even life-changing.

If YOUR learners want to find their reading level in English, they can try our new tool here. Why don’t YOU try it, too? It’s free and takes less than 10 minutes. Because it’s a beta version, we’re also interested in getting feedback about ways to improve it, so please ask your learners to complete the survey too. Happy reading!                      

Find your reading level button

 


Andrew Dilger is a Managing Editor at Oxford University Press. He has been involved in English language teaching as a teacher, trainer, and editor for over a quarter of a century. He is passionate about the power of reading and claims to have read something every day of his life since he first went to school.


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The Perfect Way to Celebrate Friendship in the ELT Classroom

A sign of friendship and teamwork - three fists bumping together

International friendship day is a holiday established by the United Nations in 2011 to celebrate friendship worldwide. The UN celebration is on 30th July. (This choice of date originated in Paraguay in 1958.) Some countries celebrate friendship on different days: In Spain, Argentina and Brazil it’s 20th July. In India and the United Arab Emirates, it’s the first Sunday in August. Regardless of the date, friendship is important for people everywhere.

How can you celebrate with your students?

One way you can explore this theme of friendship with your students is by using thematic quote cards to prompt class discussion. First, put learners into small groups. Then give each group a cut-up set of Friendship Quote Cards (download below) to look through. Allow learners to use a dictionary to check the meaning of unknown words. Go around monitoring to make sure learners stay on task. Once they are ready, write these sentence stems on the board and drill the correct pronunciation:

My favourite quote about friends is….
I really like it because…
My least favourite quote about friends is….
I don’t like it because…

Then ask the learners to choose their favourite and least favourite friendship quote. (There are as many different ‘correct’ answers as the number of students in your class. Everyone is different!) Once learners have done this, encourage them to compare their ideas with the ideas of other learners in their group, using the stem sentences to guide them.

What next?

If your students seem motivated by the topic of friendship, you can open this out into a whole-class discussion. However, if time is short, you may want to keep to small group discussions which you monitor as you walk around the classroom. If you want to express your personal preferences regarding your favourite/least favourite quote, do this at the end of the discussion so learners are not put off sharing their thoughts by you taking part too early in the discussion.

If we want our learners to read a classic story that describes a group of friends, we couldn’t do better than recommend ‘The Three Musketeers’ by the French writer Alexandre Dumas. The three Musketeer friends – Porthos, Athos and Aramis – have a slogan: ‘All for one and one for all!’ This describes their readiness to collectively help one of their number in need (‘all for one’) as well as each man being ready to work for the greater good of the group as a whole (‘one for all’)

As well as the Three Musketeers of the title, there is also the character of D’Artagnan. He arrives in Paris from the country and ends up, after many adventures, befriending the three Musketeers and himself becoming a Musketeer by the close of the story.

If you want to explore the differences between the four close friends in this story, give learners the Three Musketeers Grid (download below) and ask them to complete it with details about the different characters as they read.

Possible answers (Based on the Oxford Dominoes retelling):

  • Athos: tall, good-looking (page 1, lines 19-20), likes sleeping (page 11, lines 4-5), disappointed in love (page 22, lines 7-14), likes eating and drinking (page 33, lines 8-10)
  • Aramis: gets gifts from women, very private (page 2, lines 6-12), writes well (page 36, lines 18-25), likes pretty women (page 53, line 11)
  • Porthos: expensively dressed, quick to get angry (page 2, lines 1-3); likes a good sword (page 10, line 7), strong (page11, lines 1-2), likes adventures (page 53, lines 12-13)
  • D’Artagnan: wild, young (page 1, lines 17-18) brave (page 3, lines 2-3), loving (page 4, lines 13-15), loyal, helpful (page 9, 17-19), foolish (page 23, lines 1-4), innocent (page 34, lines 3-4)

To make this grid-filling easier, write on the board the information above in jumbled order. Students can check the meaning of unfamiliar words and match the phrases with the four main story characters, later reading the story to double-check their predictions.

A final (freer) speaking activity could involve learners matching the friendship quotes we mentioned earlier with key moments in the story, with learners explaining why they made these connections. (For example, ‘The W.B. Yeats quote matches the story opening because the three strangers D’Artagnan bumps into in chapter 1 become his friends later.’)

These resources are available via the Oxford Teacher’s Club.

Not a member? Registering is quick and easy to do, and it gives you access to a wealth of teaching resources.


Found these resources useful? How did they work for you? Share your experiences with our teaching community by leaving a comment below, or by tweeting us using the handle @oupeltglobal!


Bill Bowler is a founder series editor, with his wife, Sue Parminter, of Dominoes Graded Readers (OUP). He has authored many readers himself. He has also visited many countries as a teacher trainer, sharing ideas about Extensive Reading. Bill has contributed to the book Bringing Extensive Reading into the Classroom (OUP).  Two of his Dominoes adaptations (The Little Match Girl and The Sorcerer’s Apprentice) were Language Learner Literature Award Finalists. Born in London, he now lives in Spain.