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Using Video and Story in the classroom | Jamie Keddie

Let’s start with a video – a short film that was commissioned by the Irish Film Board in 2009.

Its title is, quite simply, “Teeth”. Perhaps you’ve seen it before?

Teeth from Noreen Fitzgerald on Vimeo.“Teeth”: directed by Ruairi O’Brien and John Kennedy, and produced by Noreen Fitzgerald.

I wonder what you thought of that? I have used this short film in a number of teacher training contexts. Speaking from experience, I know that it has a particularly wide appeal. Regardless of people’s age or background, it seems to be universally enjoyed.

There are other reasons why, as a teacher, I am attracted to “Teeth.” I love its economical simplicity. This is a story reduced down it to the essential ingredients only. The lack of spoken dialogue forces us to work with the visual narrative – the story told in moving images. At under two minutes long, I have heard “Teeth” referred to as a “super short film”. This is important as it ensures that we don’t have to worry about turning the classroom into a cinema – another key consideration.

But most importantly, it’s the story that I love. The bite-sized narrative allows us to explore some fundamental issues of what it is to be human: friendship, schadenfreude (link here: https://en.wikipedia.org/wiki/Schadenfreude), and justice – all wrapped up in one delightful comedy.

So what would you do with it in the classroom?

It’s a question that I have asked many language teachers in many parts of the world. Perhaps the most common ideas are to introduce a topic (e.g. fishing, practical jokes, friendship, or teeth) or to practise a grammar point (e.g. the present continuous to talk about what the two characters are doing).

Either of these ideas might be quite successful, but I can’t help thinking that they underuse the video and neglect the story that it offers.

What do I mean by that? Well, it is important for teachers to be aware that there is never just one story. We might read the same book, watch the same film, or listen to the same podcast. However, we all experience it in a different way.

We make different connections and associations. We ask silent questions and make predictions. We look for meaning and interpret symbols. We judge protagonists and evaluate their decisions. We identify with characters and form bonds with them. We put ourselves into the story and adopt experiences as if they were our own. We find our own stories within the story. We make our own meaning.

In the language classroom, it is this divergence of interpretation that can make a short film like “Teeth” such a powerful piece of material.

But how do you harness that power? How do you turn a 2-minute narrative into a meaningful discussion of the story? Join me at ELTOC 2020 to find out.


ELTOC 2020ELTOC 2020

How do you use video in your classroom? This is a question that I have been asking teachers ever since YouTube was launched in 2005. Over that time, I have come to a conclusion: there is a tendency for us to focus on the video and neglect the story that it offers. In my ELTOC talk, I would like to share some activities in which technology takes a backseat and good old-fashioned storytelling comes to the front of the class.

Register now for the ELTOC 2020 waitlist! I look forward to seeing you for my talk.


Jamie Keddie started off with a degree in Biochemistry from the University of Aberdeen in Scotland. Realizing that he actually wanted to be a musician, he spent most of his twenties studying at Leeds College of Music in Yorkshire, England. After that, he worked as a singer-piano player on ships, but nothing too glamorous.

In 2001 Jamie moved to Barcelona and became an English teacher. Gradually, his passion moved from music to education, video and storytelling.

As a trainer, Jamie has shared his ideas and insights with teachers and educators in over 40 countries. He is the author of Images (Oxford University Press, 2008), Bringing online video into the classroom (Oxford University Press, 2014) and Videotelling: YouTube Stories for the Classroom (LessonStream Books, 2017).


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Developing listening skills with storytelling | Gareth Davies

Storytelling in ELT is often seen as the preserve of the young learner teacher. Telling a story with lots of repetition, noises, and action is considered far too childish for teen and adult learners. But stories are in our soul, we grew up with them, remember them fondly and can learn a lot from them, so maybe stories can be part of language lessons for older students.


Why storytelling?

The benefits of grading reading are well documented. Students reading for pleasure at their own level not only improve their reading skill but also their grammar and vocabulary level. But why is so little said about Graded Listening. When we do a listening activity in an English lesson there is always a task to go with it. This listen and answer approach often stresses students, no wonder then that listening is often considered by students to be the ‘hardest’ skill to master. We rarely ask students to just listen for pleasure. We rarely say don’t worry about it; there won’t be a ‘test’ at the end. But could that be beneficial for students? Could it help them to improve their listening skills and their grammar and vocabulary like grading reading does?

Case Study

I’ve been telling stories with students for about three years but at the end of 2018, I spent three months teaching young adults in Japan and decided to do a little experiment.  At least once a week I told them a story. Sometimes I did nothing with it, just told it at the beginning or the end of the lesson and moved on. Sometimes we briefly discussed the story and then moved on. Sometimes I built a lesson around the story. I told the story using actions, pictures and sounds if needed to help with the meaning but still in an adult way. The students enjoyed the stories, and they produced some really excellent work based on them. When I asked them at the end of the course if they could remember the stories, they listed them and took pleasure in retelling them to each other.

Here is some of the feedback that I’ve been receiving from students:

  • ‘Thanks to the storytelling lessons, I got skills for listening, imagination and retelling.’
  • ‘This definitely helped our listening skills…. we could communicate with each other and try to express our thoughts, ideas, and so on.’
  • ‘Those stories let me imagine the view, place, person and a lot of other stuff.’
  • ‘I learnt many expressions, including what I’ve never used to express myself.’
  • ‘It’s motivating to listen eagerly.’
  • Some activities gave me a power of understanding.’

One student even asked me if I could help her to become a storyteller like me!

Activities

The first activity I did after each story was simply to ask students to retell the story to each other. This helped them fill the gaps in each other’s knowledge, developed their understanding of the story, and gave them a chance to ask me questions. Because I had a few artistic students in my class, I encouraged them to draw the story at this stage. Here are three other activities that I will look at in my Webinar.

Newspapers

Ask the students to make a newspaper article for their story. Show them a narrative newspaper story, ask about the features, how the story is told in the newspaper, who is being interviewed etc. Then ask the students to work in small groups to create a newspaper front page based on the story.

Newspaper storytelling activity.

Prequel or Sequel?

Ask them to write a prequel or sequel to the story. Talk about films like Star Wars or Harry Potter. How did the story move on? Then, ask the students to think about the story and how the characters would develop in 5, 10, or 15 years’ time. Put them in small groups and ask them to write their new versions of the story.  

Prequel or Sequel storytelling activity.

Twitter

Get them to write a twitter feed for each of the characters. This is a bit more complicated to set up, but it worked like a charm. First you need to break the story down into factual components. Then, ask them to think how each character would respond to the event and how they would update their twitter feed. Ask them to write the Tweets and then put them in order to create a Twitter version of the story.

Twitter storytelling activity.

The last lesson

In my last lesson with the students, I asked them to tell me a story from Japan. I put the students into groups and gave them time to plan and then asked them to tell me the story. Their renditions were fun, enthusiastic and brought a tear to my eye.

I genuinely believe that listening for pleasure has a place in language learning and storytelling can give students a chance to listen to something that is enjoyable and understandable, and this takes the pressure off listening.


Gareth Davies is a writer, storyteller, teacher, and teacher trainer based in Cardiff. He has been in the ELT industry for 23 years teaching in Portugal, the UK, Spain, and the Czech Republic. Recently he has been teaching and storytelling in Japan. Since 2005, Gareth has worked closely with Oxford University Press, delivering teacher training and developing materials. Gareth is also an examiner for the new Oxford Test of English and Trinity College, London. Outside of teaching, Gareth is an author of fiction, a poet and a storyteller. His first novel “Humans, Being”, will be published by Cinnamon Press in April 2019. He is interested in developing creative writing and story-telling ideas for the classroom.

Visit Gareth’s website: www.gareththestoryteller.com


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#NationalStorytellingWeek – Top 10 Tools for Expression in the EFL Classroom

writing booksIn recognition of National Storytelling Week, we thought it might be helpful to gather some of our resources and articles on the blog for aiding language learners in expressing themselves, either through written or spoken work. We’ve come up with our ‘top 10’ to share with you today.

Focusing on pronunciation and writing skills, equip your class with the techniques and skills to make telling their stories in English less of a challenge.

‘The Writing Paradox’ – Gareth Davies explores a quick writing exercise to overcome the common hurdle – ‘My students don’t want to write’.

Insight Top 10 Tips: Writing – Useful, practical tips for making writing accessible in the language learning classroom, both as a creative exercise, and more formally.

Ideas to get your students writing – A piece on helping to break down the barriers around writing tasks with quick practical exercises for the classroom.

Creative Writing in the Language Classroom: 8 Collected Poems – Following a Creative Writing in the Language Classroom webinar, Jane Spiro shares some of the output of poems collected from webinar attendees, along with a list of activities to help spark creative writing.

#qskills – What can I do to improve my students’ pronunciation and fluency? – Tamara Jones shares a quick video with some helpful hints around improving fluency.

Poetry in the ESL Classroom – Lysette Taplin shares some activities for using poetry to help with both writing and pronunciation in the language learning classroom.

You’ve got to have a system: vocabulary development in EFL – This article explores tips for building a broader vocabulary for language learners to draw upon when speaking in class.

#qskills – How do I motivate my students to speak in English instead of their native language in class? – A quick video run-through on encouraging students to use English to express themselves as opposed to relying on their native tongue.

Speaking in the monolingual classroom – Focusing on the most common problems learners have around expressing themselves in spoken English in class, this article comes up with practical tips to help fluency.

Why is Writing so hard? – Olha Madylus runs through some of the more common challenges around writing for language learners.

Are you planning to celebrate #NationalStorytellingWeek in your classroom? Let us know in the comments if you’ll be taking part!


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How To Teach ´Great Openings´ for Presentations In English

Young businessman giving presentation

Photo via Dries Buytaert under Creative Commons license

Christopher Wright has worked as a Business English Teacher and a Business Trainer in the UK, US, Spain and France. In his first guest post for OUP, he outlines techniques for teaching Business English students the art of opening presentations.

Doing presentations, like anything in life, is a question of preparation, positive attitude and ´practice makes perfect´.

Just like in the popular BBC TV Show Dragon´s Den the more preparation and practice participants (students) have, either in front of an audience (no matter how small) or recording themselves on a web camera, the more relaxed and confident they will feel when they actually have to give their presentations.

So what can we do as teachers and trainers to help? Here are 6 tips:

1. Visual Aids

Visual aids such as images, objects, sculptures and models are a fantastic but under-exploited tool for making ´great openings´ in presentations in English. A visual aid immediately helps grab the audience´s attention and piques their curiosity. And once the audience starts thinking “what is it?”, “how does it relate to the presentation?” and “why have they shown me this?”, the presenter starts winning their battle to achieve their presentation objective (to inform, persuade, entertain etc.). Visual aids also act as a great support for non-native speakers who are nervous speaking in front of people, as it removes them from the spotlight. Also it helps focus their attention on the presentation opening instead of worrying about the audience´s reaction. Watch this great example, a 5 minute TED Talk by a Dutch Engineer, and how he uses a visual object to make a boring presentation really come alive. Count how long it is before he actually starts speaking.

2. Petcha Kutcha 20×20

Petcha Kutcha events are organized around the World. They were started by a group of young designers in Tokyo in 2003 and have become world famous. Their goal is to improve ´The Art of Concise Presentations´. Each presenter is allowed to show 20 images (one per slide), with each slide lasting up to 20 seconds, hence the 20×20. So how does this relate to teaching presentations in English? In an internet obsessed world that has become more visual, faster paced, and now suffers from information overload, the ability to quickly communicate your key messages is vital. Other advantages include: being a useful technique for teaching time-poor professionals and managers; helping long- winded students become more concise; and finally there is a cross-cultural aspect.

3. Storytelling

Nancy Duarte wrote an excellent book called Resonate (Wiley, 2010), which helps any person learn how to craft visual stories and present them using the techniques normally reserved for cinema and literature. With Resonate, presenters learn how to: connect with the audience empathetically; craft ideas that get repeated; use story structures inherent in great communication; create captivating content; inspire and persuade audiences. It´s a book full of quick and easy-to-use communication techniques for creating great presentation openings.

4. Power of your Voice

Following on from point 3, great story-tellers also know how to use the power of their voice to captivate, entertain and influence their audience. There´s a reason why children (and some adults) will sit quietly, attentively and listen for a long time to a good story-teller. What is it they do? They vary their tone, pitch, volume, speed, intonation, emphasis and pauses to create moments of suspense, excitement, danger and happiness. There are hundreds of good examples on YouTube you can analyse with your students to show them the effect of the power of their voice when giving a presentation. Try comparing a presenter with a monotonous tone and one who knows how to use the power of their voice to see how different they are.

5. Using Quotes

This can feel like a very American presentation style, but its appeal is much more international than you´d think. They key is to select quotes from internationally known and famous authors, figures and people both from the past and present. Here is a good source for presentation quotes. Why do presenters use quotes? For two reasons, firstly it helps them quickly frame an argument or key message for the audience. Secondly, it gives their own presentation a little more credibility as people tend not to question these quotes as much as they would if they’re the presenter´s own.

6. Evaluating and Giving Feedback

At the beginning of this post I mentioned ´practice makes perfect´ and also the TV program Dragon´s Den. Why? Both highlight the importance of ´Evaluating and Giving Feedback´ to perfect a presentation. As teachers we can work with our students to develop criteria to evaluate their own and other presentations so they can learn through watching others as well as themselves. Technology (webcams, private YouTube channels, etc.) gives students the option of peer review of their presentations, either by themselves, or by teachers and classmates.


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Creating opportunities for kids to interact with stories

Story timeErika Osváth, an educator, English teacher and materials writer from Hungary, talks about some different ways for kids to interact with stories.

My friend, who teaches English literature at ELTE University in Budapest told me the other day “I wanted to read this book, which is said to be interesting, written in exquisite language, but I just cannot make myself finish it, even though I am now on page 400. I just cannot connect with anything and anybody in the book.”

This sheds a little light on why we read in our everyday lives. What is the engine, the personal motive that makes us read a story or a book? If I turned my friend’s comment into a definition, she doesn’t read to see if she understands the story, neither to explicitly learn a particular language point, but through reading she satisfies her fundamental need to connect with the storyline and/or its characters. I believe this is the case with most of us when it comes to free reading.

And yet in the language classroom, very often all we have time for (and what the course-books helps our approach to stories with) are the comprehension check activities and some language work based around the text of the story. The one and only way we tend to encourage children to connect with the storyline and/or characters on an emotional level is through acting. I firmly believe, however, that there’s room and need for much deeper engagement forms of authentic interaction with stories, which will help them internalise language in an unconscious and effortless manner.

Here are some activities you can use to go beyond comprehension check and help children engage with stories on an emotional level at lower levels.

After directed reading, i.e. a story chosen by the teacher:

Interacting with the characters:

  1.   Ask children to draw their favourite character or the one they dislike, if appropriate, and fill in the sentence.”I really like him/her because he/she is/can/…” – here, choose verbs that are appropriate for the storyline.

    “I didn’t like him/her because …”

  2. Go through the story again and ask children to stick adjectives to the characters at different stages of the story, for example naughty, cross, careless, attentive, helpful, etc. Alternatively, you could use the faces representing some of these words, if possible, and ask them to justify their choices in L1.
  3. Ask children to match colours, shapes or sounds of musical instruments to characters and let them explain why. In my experience they love doing such abstract things.

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